Regen Projects presents Make-Shift-Future, a group exhibition curated by Elliott Hundley, featuring Kevin Beasley, Elaine Cameron-Weir, rafa esparza, Max Hooper Schneider, Eric N. Mack, Alicia Piller, Eric-Paul Riege, and Kandis Williams.
Art News
Sarah Sze has created public art for display in New York City before, but never of this magnitude: a 50-foot-tall, five-ton constellation of images of the city she loves, in the newly-revamped Terminal B of LaGuardia Airport. Correspondent David Pogue talks with Sze about her airborne sculpture, titled "Shorter Than the Day," that serves as a welcome for visitors to the Big Apple.
Rally will offer 80,000 shares of a rare copy of the Declaration of Independence to the general public this month. Each share will be worth twenty-five dollars, making the initial offering two million.
The artist used traditional symbols but also created his own, referencing the Bible and Flemish folklore to create unique visual manifestations of established metaphors and puns.
Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see — replacing empirical knowledge with subconscious feeling.
Marc Glimcher, CEO and President of Pace Gallery, announced this week that the gallery will begin representing Jeff Koons exclusively worldwide. Jeff Koons is among the world’s most influential and iconoclastic living artists.
In 1881, nearly a century after the United States defeated Great Britain in 1783, Massachusetts businessman Chester Chapin commissioned a statue to commemorate America’s centennial.
Really Free is the first major presentation of her work in more than twenty years and the first to consider her practice as a radical act of self-expression and liberation in the post-civil rights-era South.
Ahead of New York’s upcoming Contemporary Art Evening auction, Grégoire Billault, Head of New York’s Contemporary Art Department, and David Galperin, Head of New York’s Contemporary Art Evening Sales, come together to discuss a highlight of the marquee event: Jean-Michel Basquiat’s Versus Medici. Painted in 1982, when the artist was just 22 years old, Versus Medici is among Basquiat’s most forceful visual challenges to the Western art establishment.
Now, at eighty-six, she is getting her due, with a heralded retrospective at the Brooklyn Museum called Both/And, which follows the comprehensive anthology of her writing, Writing in Space, 1973–2019, published by Duke University Press in 2019.
