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William Klein, Backstage from Who Are You, Polly Magoo?, 1966.
“William Klein: YES” at the International Center of Photography
The International Center of Photography (ICP) will present a major…
An early draft of Duchamp's mustachioed mona lisa. She is tapped on a background, etc. 
What was Dada Art?
Dadaism or Dada is an art movement of the early twentieth century characterized…
Installation view of Whitney Biennial 2022: Quiet as It’s Kept (Whitney Museum of American Art, New York, April 6-September 5, 2022). From left to right: Charles Ray, Burger, 2021; Charles Ray, Jeff, 2021; Ninety-Nine Bottles of Beer on the Wall, 2021.
The Whitney Biennial: A Brief History
The much anticipated, yet long-delayed, Whitney Biennial 2022: Quiet as It’s…
Dorothea Lange, Children of Oklahoma drought refugee in migratory camp in California, 1936
8 Artists Who Took Their Mothers' Names
These eight artists bent the rules when branding themselves. Although they…

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SCAD Museum of Art Celebrating 10th Anniversary
The Savannah College of Art and Design (SCAD) Museum of Art opened its doors a…
Detail Hermann Historica Ancient Asian Statue
6 Exquisite Items from Hermann Historica June 2021 Sales
"Cliffside Portal," by Jeremiah Jossim. Painting—Oil on Canvas. 15" x 15". $500. 
SCAD Hosting Virtual Open Studio Sale 
Spring 2021 Open Studio Sale features over 1,000 works from SCAD students and…
Kathy Sosa's Garden Aviary on My Mind
10 More Artists in Cross Contemporary Partners' Virtual Gallery

Latest News

detail of two women, Judith and her maid, pin a man to a bed and are in the process of decapitating him with a sword as he struggles.
Artemisia Gentileschi Makes Feminism & Violence Coexist in Judith
Gentileschi’s Judith stands out because it shows the act of a woman forcefully decapitating a man. One could argue that any depiction of this tale is inherently violent. And yet, many believe Gentileschi’s deliberate inclusion of female brutality sends a feminist message that is absent from other iterations.
Installation View of Whitney Biennial 2022: Quiet as It's Kept featuring view of rooftop works by Charles Ray
“Quiet as It’s Kept”: Whitney Biennial Returns with Middling Show
Claude Monet, Water Lilies and the Japanese bridge, 1897-99.
Claude Monet's Life & Works in 10 Surprising Facts
Paul Sandby, A Lady Copying at a Drawing Table, 1765. Yale Center for British Art, Paul Mellon Collection.
The History of Copying Art: A Learning Tool or a Cheat? 
Contemporary Art Show
Art & Object Launches Virtual Fair Platform with Contemporary Artists
Arnold Böcklin, Self-Portrait with Death Playing the Fiddle, 1872. Oil on canvas. Nationalgalerie der Staatlichen Museen zu Berlin.
Death Symbolism & Personification Traced Through Art History
Andy Warhol, Marilyn, 1967. Sheet measures 36 x 36 in. Published by Factory Additions, New York, printed by Aetna Silkscreen Products, Inc., New York. Estimated: $200,000-250,000.
Andy Warhol Marilyn Portrait Makes History with $195 Million Sale
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Press Releases

William Klein, Backstage from Who Are You, Polly Magoo?, 1966.
“William Klein: YES” at the International Center of Photography
The International Center of Photography (ICP) will present a major retrospective exhibition of the work of the multifaceted artist William Klein. "William Klein: YES; Photographs, Paintings, Films, 1948–2013" will feature nearly 300 works, filling ICP’s galleries with media from Klein’s expansive and boundary-pushing six-decade career.
Courtesy of the artist. Josh Jalbert, Movements of Air, 2016, Silver gelatin print, Unique print, 32 x 25.5 in.
SCAD Alumni & Faculty Work Dazzles at Photo London
SCAD Alumni & Faculty Work Dazzles at Photo London
Vicente Albán, Noble Woman with Her Black Slave (detail), c. 1783.
“Archive of the World”: The Complex Dynamics of Spanish America at LACMA
Marc Chagall (French, 1887-1985), Devant la Fenêtre à Sils, circa 1960-68. 19 3/4 x 18 1/2 in. (50.2 x 47cm). Estimate: $250,000 - $400,000.
Coming to Auction: Freeman's La Belle Époque on Paper
Installation view of Bea Scaccia: With their Striking Features, 2022 at JDJ Tribeca.
Contemporary Painter Bea Scaccia’s JDJ Tribeca Gallery Debut
Laurene Krasny Brown, Berry Bowl, 2017. Gouache on cut paper. 10.5 x 9.5 in. Pictured with a 19th century green-painted splint basket atop an antique cupboard in original pink paint
Olde Hope Presents "Shelf Life: The Art of Laurene Krasny Brown"
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Video

The Architecture of Louis Kahn

Explaining The Hunt for the Unicorn Tapestries

Art Forgery Forensics: How to Spot a Fake Painting

Albrecht Dürer's Influence

Southern Outsider Art History

Ask the Artist | Questions for Anicka Yi | Tate

Why is this Painting an Odd Shape? Tiepolo's 'Allegory with Venus and Time'

The New Woman Behind the Camera

Art Events

Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation
Museum | Washington D.C.
Thru May 22, 2022
vFairs Contemporary Art Show
Fair | Online Only
Thru May 22, 2022
Bea Scaccia: With Their Striking Features
Gallery | New York, NY
Thru May 27, 2022
"In These Truths" at Albright-Knox Northland
Gallery | Buffalo, NY
Thru June 5, 2022
More Events