Born in the late nineteenth century, Modernism sought to challenge conventional institutions of its time. The late nineteenth century saw a shifting European political structure, with the birth of nation-states rising from the ashes of empires. This period was also significant in academic achievements and rapid industrialization.
“New York: 1962-1964” is a celebration of the institution hosting it. The Jewish Museum has been a venerable fixture in New York’s cultural firmament for what seems like forever, but six decades ago, under the directorship of Alan Solomon, it was the premier incubator for cutting-edge art when NYC was its undisputed center.
"Puberty" is chockfull of intelligent art-historical references, handwritten personal divulgences, casually surreal still lifes, and nude self-portraiture. Every aspect of the publication contributes to the work’s larger goal: To document the artist’s experience of HRT as a non-binary transgender person.
The fedora stays on, the jacket, too, even in the dog days of summer as Bell mills about his new show, Larry Bell & John Chamberlain. His contribution includes a corner of the south gallery occupied by his trademark glass cubes as well as vapor drawings made from cutouts and the same microparticles he applies to the cubes.
Originally, the mask was adorned by members of all socioeconomic classes to conceal identity. This was necessary since most legal and moral boundaries were blurred during this period, and so were the Venetian Republic’s rules regarding upper and lower social classes intermingling. Originating in the fourteenth century, the Venetian mask was originally intended to serve as a method of inclusiveness.
The curators set a welcome stage for the visitor to the Center. Greeting them at the entrance is Martin Sharp’s Blowing in the Mind/Mister Tambourine Man (1968). Sharp is known as the mastermind behind posters and album covers for some of the biggest names in ’60s rock and roll history.
We all need water. No matter where, no matter when, human life cannot survive without it. This has been made acutely and painfully apparent across large swaths of the globe this summer as human-driven climate change has fueled water shortages with detrimental effects to both the environment and human life.
Focused on simplicity and symmetry—principles valued by classical artists, Neoclassicism was an antidote to Rococo and Baroque excess. Neoclassicists painted everything from ancient myths to contemporary events, portraying their subjects through the heroic lens of a classical style.
The Benin Bronzes of Nigeria, their provenance, and the possibility of restitution have been making headlines of late. Currently scattered across the world, this collection of a thousand plus statues and plaques was stolen in 1897 from the African Kingdom of Benin, modern-day Nigeria, by British troops.
Fresh off its survey of Faith Ringgold, the New Museum presents a retrospective of another veteran African American painter whose aesthetic DNA courses through subsequent generations of black artists. “Art and Race Matters: The Career of Robert Colescott” is the artist’s first museum outing since 1989.