Fresh off its survey of Faith Ringgold, the New Museum presents a retrospective of another veteran African American painter whose aesthetic DNA courses through subsequent generations of black artists. “Art and Race Matters: The Career of Robert Colescott” is the artist’s first museum outing since 1989.
Now, at the Colby College Museum of Art in Waterville, Maine, through October 16, selections from the series are being shared with the public for the first time in Andrew Wyeth: Life and Death
This dynamic exhibition of contemporary Indigenous Australian painting from the remote regions of Central and Western Australia, on view through October 27, 2022.
A Taste for Impressionism at the Royal Scottish Academy will focus on the pioneering nineteenth-century Scottish collectors who had the foresight to invest in the avant-garde, with a stell
Gather begins in Niamh O’Malley’s workspace in Temple Bar Gallery + Studios (TBG+S), Dublin, where stone, steel, wood, and glass are shaped, composed, and assembled.
Simone Leigh: Sovereignty features a new body of work made for the United States Pavilion at the 59th International Art Exhibition of La Biennale di Venezia.
