The Armory Show’s 2019 edition will present 194 galleries from 33 countries, bringing together an unparalleled presentation of international galleries in central Manhattan. Staged at Piers 92 & 94, the upcoming fair will feature a diverse breadth of compelling artworks—from new discoveries to historical masterpieces.
Art News
Their styles vary widely, from Rococo to Modernism, but the thing that all the artists have in common in a new exhibition at the Dallas Museum of Art (DMA) is that they’re all female, struggling against the constraints of a society that hindered them in the pursuit of their chosen career.
Robert Rauschenberg was in the middle of creating this portrait of John F. Kennedy when the president was assassinated. Hear Steven Zucker and Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth Atheneum Museum of Art discuss how this changed what would become Rauschenberg's Retroactive I (1963).
Nat and Corrie provide a brief introduction to the behemoth that is Modernism. From the ridiculous trial of James McNeil Whistler to the philosophical merits of Abstract Expressionism, the Art History Babes are here to help you feel a little less intimidated by modern art.
The first exhibition of Sri Lankan art held at an American museum opened this month at the Los Angeles County Museum of Art (LACMA). The Jeweled Isle: Art from Sri Lanka showcases a wide range of Sri Lankan art pieces, from gold, silver, and ivory jewels to 19th-century photographs.
Painted in 1656 at the Royal Alcázar of Madrid, this large scale masterpiece contains an enigmatic configuration of illusions and codes that invite new interpretations centuries later.
A monumental bronze by one of the most accomplished and important sculptors of all time soared to nearly twice its low pre-auction estimate, lifting the total for Heritage Auctions’ Fine European Art Auction to $1,895,837.
They assumed the canvas was a common copy, and estimated its value at only $5,000 when a Washington, D.C. auction house listed it last year.
Artist Fred Wilson reflects on his relationship with “degradaria,” or “stereotypical objects” that reflect a disturbingly racist past, particularly in his piece Me And It (1995). He describes why he wanted to collect and use these “black collectible” objects that he associates with a painful, abusive history.
This spellbinding painting is a true masterpiece and among the very greatest Monet painted during his first and only encounter with Venice.
