Amy Laugesen sculpts horses and mules in homage to their roles in the history of Colorado. However, her rustic yet elegant ceramic and mixed-media equine sculptures look as if they could have been created on another continent in another millennium.
Interviews & Essays
Although Takashi Murakami’s art typically appears happy and bright at first glance, the artist expertly wields cartoony symbols and fantastical imagery to make larger statements on topics such as technology, violence, and history.
In November 2020, we published a story on the then freshly one-hundred-year-old Wayne Thiebaud and his continued painting practice. Today, we’d like to take a moment and look back at the life and art of the legendary Thiebaud, who unfortunately passed away this Christmas.
Each month, Art & Object is highlighting Sekka's best art stories. Here are the best art stories from Sekka from December 2021.
Join us in bidding 2021 goodbye with a review of our ten most popular stories of the year! Below, you'll find the names of our biggest stories, preview text, and direct links to each.
Before our annual "Best 2021 Articles" list, we wanted to share some of our favorite artworks that we covered in 2021. These artworks and objects kept our team engaged in and excited about the art world and the daily work of covering it for our dear readers.
It could feel forced to have the opus of another artist (or a duo, or a workshop) with a specific ethos and aesthetic installed in a museum entirely dedicated to the work of another individual, like a new designer overtaking the creative direction of a heritage brand before fully stepping into their role.
Skeptics of the American Dream likely will consider Emanuel Leutze’s masterpiece depicting George Washington crossing the Delaware River to be a propagandistic romanticizing of America, a work unworthy of praise in the twenty-first-century.
Devastating consequences within the context of science and medicine are unfortunately nothing new to members of the Black population in colonial spaces. This is particularly evident in the Western art history of medical illustrations that feature Black people.
Western art history is filled with colorful characters, whose statuses as heroes or villains can change based on the mores of our current society. The "Reframed" column is not a politically leaning publication. Yet it would be naive not to recognize that we exist in politically charged times.
