Art News

Dr. Martin Luther King Jr. has had quite a lasting international impact. This sentiment holds within every event, tribute, or art piece created in his honor. Over the decades, artists have shared their admiration for MLK through various mediums.

In 1958, Robert Rauschenberg began a difficult series of illustrations of Dante Alighieri’s fourteenth-century poem Inferno. The thirty-four mixed-media images foreground the process of their construction as much as their literary subjects.

Even if you don't know the name, chances are you've seen a reproduction of one of his prints. What is it about his work that has made it last? Through paintings, drawings, prints, and letters, our exhibition 'Dürer's Journeys: Travels of a Renaissance Artist' brings to life this art history megastar and the people and places he visited. 'The Credit Suisse Exhibition: Dürer's Journeys: Travels of a Renaissance Artist' is on view until 27 February 2022.

Few colors are as politically charged as pink. Though today it is considered feminine throughout much of the world, up until around the mid-twentieth century, Westerners viewed the color as either genderless or masculine.

Anyone familiar with the Midas touch of Philip F. Anschutz won’t be surprised that the magnate has amassed one of the most impressive and important private Western art collections in the world.

The exhibition highlights the popularity of the cartes de visite in American society of the early 1860s and how becoming a carte de visite meant being famous, or at least, worthy of collection. Women were no exception to this trend.

Carrying the landmark estimate of $20/30 million, the sale marks the highest valued estimate for an NFT or digital art ever offered at auction, and follows Sotheby’s record-breaking sale of CryptoPunk #7523 for $11.8 million in June 2021.

Primarily drawn from the LACMA's collection, the exhibition brings together around 140 works spanning roughly 200 years. Subjects include a wide range—from iconic change-makers to ordinary people rendered extraordinary through art.

Few museum curators have had as big an impact on a city’s cultural life as William A. Fagaly. The internationally renowned scholar, who died last year aged 83, built up important museum collections of Outsider, African and contemporary art during his 50 years at the New Orleans Museum of Art. He also made a substantial contribution to the understanding of southern Outsider art. Fagaly — universally known as Bill — was known for seeking out and championing self-taught African American artists from the surrounding region, including David Butler and Sister Gertrude Morgan, bringing them to national and international attention. The New Orleans curator pioneered mainstream acceptance of work by self-taught artists.

After half a century, the Musée du Pays Châtillonnais has been reunited with a first-century Bacchus statue. First unearthed by archeologists in 1894 at the Roman Vertillum site, the bronze figure has long been considered a French treasure.