Christie's announces the sale of An American Journey: The Diann G and Thomas A Mann Collection of Photographic Masterworks. On public view in Los Angeles, San Francisco and New York – the sale will take place at Christie’s Rockefeller Center the evening of October 4, followed by a morning session on October 5.
Art News
In this episode of Anatomy of an Artwork, explore the details of Double Portrait with Wine Glass, an iconic painting from Marc Chagall that resides in the permanent collection of the Georges Pompidou Center in Paris. Using a synthesis of different styles, including Cubism, Surrealism and Russian folk art, Chagall masterfully renders a portrait of love that eclipses the political upheaval surrounding its creation.
Now at the Los Angeles County Museum of Art (LACMA), In and About LA showcases the late Robert Rauschenberg’s photographic exploration of Los Angeles. A pioneering American artist whose groundbreaking work anticipated the Pop Art movement, Rauschenberg worked in a wide range of subjects, styles, materials, and techniques, utilizing photography, printmaking, papermaking, and performance. In 1950, he began making "Combines," which bridged photography, found objects and painting, blurring the line between painting and sculpture, merging kitsch and fine art.
A new set of tariffs proposed by President Trump could hit the art world this month. As part of continued efforts to reduce the US’s trade deficit with China, the list of items subject to import tariffs continues to grow. Set to go into effect as soon as late August, that list now includes categories covering paintings, sculpture, collage, ceramics, and antiques from China. The 25 percent import tariff would present a heavy burden to galleries, individual collectors, and museums in the US.
The Philadelphia Museum of Art presents an inside look at the tough and unsentimental world of boxing—including Philadelphia’s Blue Horizon gym—through the photographs of Larry Fink. Widely recognized as one of this country’s greatest photographers, Fink captures the subculture of boxing through its champions and challengers, its ambition-fueled gyms and rowdy rings and overheated atmospheres of locker rooms, as well as the many fascinating people—among them coaches, trainers, mothers, fathers, girlfriends, and spectators—who populate this world.
Master Wu started making neon signs in the ’80s and has been filling Hong Kong’s streets with bright neon signs ever since. But recently, Master Wu has seen his business slow down as brighter-burning and more energy-efficient LED signs emerge. In addition to getting fewer requests, Hong Kong’s iconic neon landscape is also losing thousands of signs per year, ushering in the end of the city’s neon era.
The Museum of Arts and Design (MAD) announces Cycle 30 of its Artist Studios program. The selected artists, who will work in MAD's sixth-floor open studios from August 7, 2018, through February 3, 2019, are Elodie Blanchard, Damien Davis, Jesse Harrod, Victoria Manganiello, Lily Moebes, and Monika Zarzeczna.
You've likely seen this glassy-eyed late 19th Century barmaid before, but what can we make of this painting today? Let's explore Edouard Manet's A Bar at the Folies-Bergère.
This week the Uffizi Gallery made a significant portion of its remarkable collection much more accessible. Through a partnership with Indiana University, scholars from both institutions have been working for two years to create 3D scans of the museum’s classical sculptures. Launching this week, the Uffizi Digitization Project website hosts over 300 digitized sculptures and fragments from the collection. The digital models offer views of the sculptures and fragments heretofore only available through in-person inspection.
Carlos Cruz-Diez: Luminous Reality, the first exhibition for PHILLIPS X, transforms our London galleries this summer with both stationary and kinetic works by the famed artist and innovator. Take a look behind the scenes at Cruz-Diez’s atelier in Paris, where we sat down to talk with him about his enduring legacy, social responsibility and his still-evolving artistic discourse.
