Washington, DC—Prints and drawings have consistently served as popular media for humor in art. Prints, which can be widely replicated and distributed, are ideal for institutional mockery and social criticism, while drawings, unmediated and private, allow for free rein of the imagination. Sense of Humor will celebrate the rich yet often overlooked tradition of humor in works on paper, ranging from the 15th to 20th century.
Art News
Carnegie Museum of Art announces recent collection acquisitions. These highlights in contemporary art, decorative arts, and photography join the museum’s collection of over 30,000 works. Three of them, by Joan Brown, Alex Katz, and Pope.L, will debut in Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now, opening July 20.
The Los Angeles County Museum of Art (LACMA), in collaboration with the Leonardo DiCaprio Foundation, presents John Gerrard: Solar Reserve, the first Los Angeles presentation of Solar Reserve (Tonopah, Nevada) 2014 since it was purchased with funds donated by Leonardo DiCaprio in 2015. The installation was first presented in New York City in 2014 by Lincoln Center in association with Public Art Fund. This monumental digital simulation recreates a solar thermal power plant in Nevada and the surrounding desert on a frameless LED wall.
The first major US solo exhibition of works by Cecilia Vicuña opens this summer at the University of California, Berkeley Art Museum and Pacific Film Archive (BAMPFA), featuring four decades of work by the internationally acclaimed artist, poet, and filmmaker.
In the dynamic world of mid-18th-century Europe, people, ideas and artistic styles crossed national boundaries.
The Institute of Contemporary Art/Boston (ICA) opened its new Watershed to the public on July 4, expanding artistic and educational programming on both sides of Boston Harbor—the Seaport and East Boston—and connecting two historically isolated neighborhoods. Admission to the Watershed will be free. Access to the Watershed is available by boat, public transportation, and taxi service.
Washington, DC—During the 17th century, the Dutch were a nation of merchants, engineers, sailors, and skaters. Water was central to their economic prosperity and naval prowess, essential as a means of transportation, and popular as a site for recreation year-round. In a special exhibition at the National Gallery of Art, Washington, Water, Wind, and Waves: Marine Paintings from the Dutch Golden Age will explore the multifaceted relationship the Dutch had with water during their Golden Age.
This July, Sotheby’s will offer an outstanding bronze by the foremost sculptor of 16th -century Florence, Giambologna (1529-1608). The Dresden Mars was created as a personal gift for the Elector Christian I of Saxony (1560-1591). It is one of very few bronzes firmly documented during his lifetime, and one of a handful of works by Giambologna ever likely to come to market.
Truth and Beauty: The Pre-Raphaelites and the Old Masters is the first major international exhibition to assemble works by England’s nineteenth-century Pre-Raphaelite Brotherhood with the medieval and Renaissance masterpieces that inspired them.
This summer, the Yale Center for British Art will present an exhibition devoted to one of the earliest forms of photography and a British invention. Salt and Silver: Early Photography, 1840–1860 will explore the dissemination of salt prints across early centers of photographic production in Europe and North America.
