An exhibition opening this week celebrates one of “Bill’s” life-long passions: his collection of fakes and forgeries, which he assembled over nearly five decades.
Art News
Serena Altschul talks with Golden Globe-nominated actor Willem Dafoe and director Julian Schnabel about their entrancing new film about Vincent van Gogh, "At Eternity's Gate," which offers a fresh perspective on the almost-mythical artist, focusing on what he created rather than the madness which consumed him.
Ant Farm's satirical media event Media Burn (1975) parodied the conventions of a media spectacle. A fictional politician, the "Artist President," introduced the main event: a sculptural, transformed car crashing through a pyramid of television sets. Real local news channels covered the story, which went national.
The study concluded that “There is no doubt about the existence of the Mona Lisa effect—it just does not occur with Mona Lisa herself.”
It is iconic, incredible, and unforgettable-- but is the work on view in Paris's Louvre Museum today the real deal?
Should form always follow function? Find out why Modern architecture can be so divisive.
This episode of the ArtCurious podcast explores the history behind Picasso's Les Demoiselles d'Avignon, a work that shocked the world.
In 1958, scientists from Russia left a plastic bust of Vladimir Lenin at the Southern Pole of Inaccessibility, and as of 2007 it was still there. What does it mean? Guest host John Green ponders his fascination with this object and the changing nature of art.
Robert Rauschenberg was in the middle of creating this portrait of John F. Kennedy when the president was assassinated. Hear Steven Zucker and Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art at the Wadsworth Atheneum Museum of Art discuss how this changed what would become Rauschenberg's Retroactive I (1963).
Nat and Corrie provide a brief introduction to the behemoth that is Modernism. From the ridiculous trial of James McNeil Whistler to the philosophical merits of Abstract Expressionism, the Art History Babes are here to help you feel a little less intimidated by modern art.






![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/image_5_column/public/ab15211bartonthe-more-human-lovelg.jpg?itok=wW_Qrve3)












