This modest-size, thoughtful, insightful, and shapely show, celebrating the grant program, Anonymous Was A Woman, established in 1996 by philanthropist and artist Susan Unterberg, is testimony to the Grey Art Museum’s long-time director Lynn Gumpert on the occasion of her well-earned retirement. The gathering was organized by curator, writer, and editor Nancy Princenthal and curator Vesela Sretenovi´c.
Art Galleries & Museums
Just two months ago, New York City’s Frick Collection reopened its doors after a five-year renovation and temporary residence on Madison Avenue.
Let us start with black and red, galactic black and blue-based crimson– void and blood, dead and living. Add to that, intense emotion: horror and ecstasy, revulsion and reverence, debauchery and exultation, violence and grace. Throw in narrative: historical references, biblical tales, political intrigue, relationships, rape, murder, God. And, most importantly, there’s the radiance of pure light: golden, streaming, illuminating.
In the vacant 42,000-square-foot space of an office building in the Lower East Side of New York, a new type of hybrid museum will open in 2026. This nonprofit institution, Canyon, will be a cultural venue centered around video, performance, sound, and immersive art.
“Blacksmith, I set ye a task. Take these harpoons and lances. Melt them down. Forge me new weapons that will strike deep and hold fast.” - Captain Ahab, Moby Dick by Herman Melville, 1851
On September 2nd, 2018, the National Museum of Brazil was engulfed by an electrical fire, resulting in the destruction of close to 90% of its collection. The museum, located in Rio de Janeiro, is the oldest scientific institution of Brazil and one of the largest natural history and anthropology museums in the Americas, making its destruction all the more devastating.
Now on view at the Met, Sargent & Paris, as the title eludes, explores artist John Singer Sargent’s time living in Paris from 1874 through 1885, before he moved to London.
Surrealism became the focus of many art institutions in 2024 in response to the 100th anniversary of the 1924 publication of Andre Breton’s (1896-1966) Surrealist Manifesto. Now, in a moment when female visionary artists like Leonora Carrington (1917-2011) and Hilma af Klint (1862-1944) are being rediscovered, Ithell Colquhoun (1906-1988) stands out.
The exhibition Scottish Colourists: Radical Perspectives opened at Dovecot Studios in Edinburgh, Scotland, on February 7th.
This April, the Whitney Museum of American Art opens Amy Sherald: American Sublime, and consequently cements the artist as the new Miss Americana. This is Sherald’s debut solo exhibit in New York City, and in true American fashion, it will cross the country to San Francisco and Washington D.C.—fitting for a collection so decidedly nestled in excellence and American realism.
