At age 98, painter Lois Dodd celebrates her first major European retrospective at The Hague in the Netherlands. Open now through April 2026, Lois Dodd: Framing the Ephemeral reveals how this quintessentially American painter manages to imbue the quiet corners of everyday life with a sense of permanence, not unlike Vermeer.
Art Galleries & Museums
After seven years of construction, the Studio Museum in Harlem reopened last month in a seven-story neo-Brutalist building designed by Adjaye Associates. The $160 million structure is reminiscent of the Breuer Building further downtown with its precast concrete façade and severe aesthetic.
When I Don’t Sleep, I Dream, the major retrospective now on view at the Museum of Modern Art in New York, positions Wifredo Lam as a political, spiritual, and insurgent force—a world-builder who ultimately slips classification.
Having celebrated its 100-year anniversary in 2024, the Surrealism movement remains highly relevant today, with Surrealist ideas and techniques widely embraced by contemporary artists. Its revolutionary approach to art and thought continues to influence art, culture, fashion, and film— offering a powerful perspective on current social and political concerns.
“In this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.”–George Morrison
As Los Angeles County Museum of Art (LACMA) races to finish the $720 million David Geffen Galleries to hold its permanent collection, employees are turning to collective bargaining for better wages and working conditions amidst the urgency.
The ritual of ecstatic frenzy induced by followers of Bacchus was seen as a way to free yourself from self-consciousness, as well as suppression by the powerful. The Roman Bacchanalia feasts even created moral panic in the government.
The cultural heritage and history that art museums hold have traditionally made it harder for them to position themselves as vanguards of modernity and progress. In recent years, many institutions have attempted to step more fully into the 21st century with visual and narrative rebrands, but not all to positive reception.
The Barnes Foundation's Henri Rousseau: A Painter’s Secrets is a knockout. If you aren’t familiar with his work– though you likely have seen his masterpiece, The Sleeping Gypsy (1897), borrowed from MoMA for the occasion– this show is a must-see. And, even if you think you know Rousseau, the exhibition still brims with surprises.
Famously known as Grandma Moses, American folk artist Anna Mary Robertson Moses (1860–1961) had a huge, and often unacknowledged, impact on American arts and culture. Frequently used as a prime example that it's never too late, the 79-year-old splashed onto the art scene in 1939, with three works in MOMA’s group show Contemporary Unknown American Painters, followed by a solo exhibition at Otto Kallir's New York Galerie St.
