At Large

In a city of endless opportunities, one organization is doing its best to optimize all that New York has to offer. Chashama has a 25-year history in New York of supporting artists by optimizing one…
In the Spring of 2005, an item coming up for auction in New Orleans caught the eye of Alexander Parish, an art expert, who called his friend, dealer Robert Simon. There was something about Lot 664, a…

Whether techniques have remained the same for hundreds of years or evolved as they spread to artisans around the world, art can reflect a place’s unique history, traditions, and culture. And in…

In an on-going series, Art & Object delves into the top art schools and programs in the U.S.

Here is a rundown of the wealthiest artists in the world. Some people on the list may surprise you!

In ancient Rome, bathing was a staple, not a luxury. Bath buildings are one of the most frequently encountered types of structure at archeological sites across the Roman world, from the Middle East…
This installment of Art & Object's top art schools series showcases the best art schools of the West.
Here, hundreds of miles south of the Canadian Arctic and Nunangat (the Canadian Inuit homeland territories), is the world’s largest collection of contemporary Inuit artworks.
It’s too soon to say, and this preview doesn’t presume to provide an answer. But it does offer a look at the art events to be excited for in the coming months.
The top-tier art programs of the Midwest tend to be relatively small, private art and design schools.
In a returning series, Art & Object delves into the top art schools and programs in the U.S. This week is dedicated to the Southeast.
In the second annual installment of this series, Art & Object delves into the top art schools and programs of the U.S.

On August 02, 2017 the very first piece of content went up on ArtandObject.com…

When the name of American-born artist James McNeill Whistler comes up most people immediately think of his iconic painting Arrangement in Grey and Black #1, an austere portrait of Anna McNeill…
Could the Exhibition of Socialist Monuments Offer Guidelines for Americans to Recontextualize Confederate Statues?