Art News

Dr. Steven Zucker and Dr. Beth Harris discuss the history of the Parthenon sculptures and the present day controversy about their ownership.
Whether photographing limestone quarried by explosive blasts, the evolution of a city from a bird’s-eye-view, or recovery and reconstruction efforts of the artist’s tsunami-swept hometown in northeastern Japan, Naoya Hatakeyama’s photographic explorations have consistently traced the ways that human intervention alters nature and transforms it into the built environment. Each keenly composed image captures phases of creation, change, and destruction over time in Japan’s contemporary topographies.
Recently opened at the Smithsonian American Art Museum, Do Ho Suh’s ‘Almost Home’ invites us to tour Suh’s ethereal memories. Suh is known for his delicately crafted “fabric architecture” pieces. These large-scale installations are sewn from sheer material, making them both solid, immersive objects, while also being light and transparent enough to appear fragile. In ‘Almost Home,’ Suh has recreated the hallways from several of his homes from around the world. Born in 1962 in Korea, Suh currently splits time between Seoul, New York, and London.
Based in Baltimore MD, Amy Sherald documents contemporary African-American experience in the United States through arresting, otherworldly portraits, often working from photographs of strangers she encounters on the streets.
As the Smithsonian’s National Portrait Gallery marks its 50th anniversary, it will not only honor the past with special exhibitions but also shape the museum’s next chapter. The first contemporary exhibition of the museum’s anniversary season, “UnSeen: Our Past in a New Light: Ken Gonzales-Day and Titus Kaphar” examines how people of color are missing in historical portraiture, and how their contributions to the nation’s past were rendered equally invisible.
Phillips is delighted to announce that its first gallery space in Asia will be open on 26 March 2018, located in the prestigious St George’s Building in Central, Hong Kong, where its Asia Headquarters has recently relocated. 
The Richard R. & Magdalena Ernst Collection of Himalayan Art grew from a lifetime passion for Tibetan art and culture. Featuring eighty-eight paintings spanning the twelfth — nineteenth century, this magnificent collection is an homage to the discerning eye of the collectors. Many of the deities celebrated in the paintings are echoed in the forms of Sotheby’s Indian, Himalayan & Southeast Asian works of art auction. The auction includes magnificent Himalayan bronzes from private collections, Buddhist ritual objects, classical Indian sculpture and more.
“I chose to use photography, with my camera as a time machine to travel back into the past.” — Hiroshi Sugimoto
Ahead of her Tate Modern retrospective we spoke with Joan Jonas in her New York City studio. Joan Jonas is one of the most important American artists to emerge in the late 1960s and early 1970s. Her pioneering experimentation and work in video and performance provided a foundation from which this type of art could evolve and grow. In this film she talks about her love of New York City and places ‘that have holes in them’ as well as her preparation for her exhibition and the live events which will take place at Tate Modern in March 2018.
The Dallas Museum of Art announced the first ever solo museum exhibition of works by Ida Ten Eyck O’Keeffe and the most comprehensive survey of the artist’s work to date. Ida O’Keeffe: Escaping Georgia’s Shadow will bring together approximately 40 paintings, watercolors, prints, and drawings for the first time, including six of the artist’s seven lighthouse paintings, whose previously unknown locations were revealed during exhibition research and which have not been exhibited together since 1955.
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