Based in Baltimore MD, Amy Sherald documents contemporary African-American experience in the United States through arresting, otherworldly portraits, often working from photographs of strangers she encounters on the streets. Drawing loosely upon the American Realist tradition, Sherald subverts the medium of portraiture to tease out unexpected narratives, welcoming viewers into a more complex debate about accepted notions of race and representation, and situating black heritage centrally in the story of American art. While her subjects are always African-American, Sherald renders their skin-tone exclusively in grisaille – an absence of color that directly challenges perceptions of black identity and seeks, in the artist’s words, ‘to exclude the idea of color as race.’ In compositions that are carefully controlled and meticulously considered, Sherald sets her subjects free.
Sherald was the first woman and first African-American ever to receive first prize in the 2016 Outwin Boochever Portrait Competition from the National Portrait Gallery in Washington D.C.; in February 2018, the museum unveiled her portrait of former First Lady Michelle Obama. Sherald has also received the 2018 David C. Driskell Prize from the High Museum of Art in Atlanta GA, and is the second recipient in 2018 of the Pollock-Krasner Foundation’s Pollock Prize for Creativity. In May 2018, she will present a solo exhibition of her portraits at the Contemporary Art Museum St. Louis MO. Hauser & Wirth will hold its first exhibition with Sherald in New York in 2019.