Last month, the art world mourned the loss of Marisa Merz, the only female artist associated with the Arte Povera movement. Merz, who died in her native Turin at 93, was known for her unconventional use of materials and processes.
Art Galleries & Museums
Alphonse Mucha (1860–1939), the Czech painter, illustrator, and graphic artist, may have done more than anyone to bring Art Nouveau into popular culture through his posters of French stage actress Sarah Bernhardt. His work and more are on display at the Poster House, a new museum that opened in Manhattan, New York, earlier this year.
Boasting the world’s largest public collection of works by Henri Matisse, the Baltimore Museum of Art plans to capitalize on that distinction by creating a global center dedicated to the study of the French Master and his legacy.
Award-winning photographer Joel Sartore is on a mission to document the world’s dwindling wildlife population.
After months of protests and calls for his resignation, Whitney Museum of American Art Board Vice-Chair Warren Kanders has resigned from his post. Kanders, who, according to the New York Times, has donated more than $10 million to the museum, has been a board member since 2006. In a resignation letter published today, he writes that, “I joined this board to help the museum prosper. I do not wish to play a role, however inadvertent, in its demise.”
In Order of Imagination: The Photographs of Olivia Parker, now at the Peabody Essex Museum, Parker creates intimate moments through a variety of subject matter.
Monsters exert a timeless fascination, and have often been used as a metaphor for the strange, different, extraordinary and appalling.
Combining landscape photography with psychedelic colors, Terri Loewenthal creates striking photographic works evoking the wild soul of nature, now on view at Jackson Fine Art in Atlanta, GA.
Beginning this week, the Metropolitan Museum of Art will display the da Vinci masterpiece Saint Jerome Praying in the Wilderness, on special loan from the Vatican Museums.
For nearly five decades, Cindy Sherman has been playing hide and seek with her audience. Always not quite herself, her self-portraits in elaborate disguises have offered poignant commentary with humor and mystery. Now the evolution of her practice is on full display in a retrospective at the National Portrait Gallery, London.
