Art Galleries & Museums

Considered by many to be the father of modern high fantasy, John Ronald Reuel Tolkien (1892–1973), one of the world’s most beloved writers, introduced millions to the hobbits, elves, heroes and dragons of Middle-earth through his popular literary works, beginning with The Hobbit. Opening in New York January 25 at the Morgan Library & Museum, Tolkien: Maker of Middle-earth is the largest collection of Tolkien material ever assembled in the United States.
Graciela Iturbide, one of the most prolific and insightful documenters of life and culture in Mexico is sharing her vision of a complex nation at the Museum of Fine Arts Boston (MFA Boston). Graciela Iturbide’s Mexico features nearly 140 photographs and is the first major East Coast presentation of the artist’s work.
Enrique Martínez Celaya’s ongoing examination of coming of age is the subject of his first solo exhibition at Denver’s Robischon Gallery,The Boy: Witness and Marker 2003 - 2018. Opening January 17, the artist says it is also his first exhibition “dedicated to the boy as image, concept and metaphor.”
Award-winning children's book author Oliver Jeffers brings a sense of curiosity and a narrative sensibility to a new series of oil paintings at Bryce Wolkowitz Gallery. For All We Know, examines the cosmos and our connections to them.
The folksy charm of Margaret Kilgallen will be on display starting this week in the first posthumous museum exhibition of the Mission School artist’s work, opening Friday at the Aspen Art Museum.
In a new body of work from Dawoud Bey, the prolific portrait photographer explores blackness from a new angle: landscapes set at twilight. Night Coming Tenderly, Black, originally commissioned by FRONT International: Cleveland Triennial of International Art, and opening this week at the Art Institute of Chicago (AIC) shows Bey working with landscapes in the same intimate way he usually photographs people.
Showcasing important new acquisitions and masterworks from the permanent collection, the newly renovated North European galleries at the Cleveland Museum of Art aim to envelop visitors in a new viewing experience.
Their styles vary widely, from Rococo to Modernism, but the thing that all the artists have in common in a new exhibition at the Dallas Museum of Art (DMA) is that they’re all female, struggling against the constraints of a society that hindered them in the pursuit of their chosen career.
The first exhibition of Sri Lankan art held at an American museum opened this month at the Los Angeles County Museum of Art (LACMA). The Jeweled Isle: Art from Sri Lanka showcases a wide range of Sri Lankan art pieces, from gold, silver, and ivory jewels to 19th-century photographs.
She looks sideways at the viewer, limpid dark pools for eyes, strawberry curls setting off the flush of her cheeks and lips of faded fuschia. Who is she? She is the Lady in White. More than that, none can say. Sprung from the brush of Tiziano Vecelli, or Titian, she was referred to by the artist as “my most beloved object” and “a portrait of she who is the absolute mistress of my soul.” Some say she is an idealized figure of feminine beauty, others a favorite model, and still more think she is the artist’s eldest daughter, Lavinia, on her wedding day.
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