At Large  June 30, 2026  Megan D Robinson

The Art Students League of New York Celebrates 150 Years

The Art Students League of New York; Photo by Rudy Bravo

Exterior view of the Art Students League building on West 57th Street in New York. 

Founded by a group of free-thinking artists in 1875, the Art Students League of New York has always been marked by innovation. Dissatisfied with the teaching style at the National Academy of Design, these artists started their own school, committed to making fine-art education accessible to all. Utilizing a unique atelier-style system, the League offers classes for adults and children, covering a diverse array of artistic practices, methodologies, and media. “The Art Students League is a place where artists support each other,” says Artistic/Executive Director Michael Hall. “We were founded by independent artists who pooled their resources to fund their own educations collectively, and we continue to operate under the guidelines of a constitution created by those artists way back in the 1870s.”

The League provides affordable art instruction on par with more expensive colleges and universities—and its successful model has inspired similar programs in other educational institutions. Hall says, “The League is a model, and a resource, for artists who seek to improve their skills, exhibit their work, and find community regardless of their access to other sources of funding. It is a profound privilege to carry this legacy forward by providing accessible fine arts education and offering subsidized tuition for all. While the League isn’t entirely dependent on federal funding, our self-sustaining model remains viable only through the continued engagement and support of artists and those who value the arts and the health of our culture. At a time when funding for the arts has come under fire, and many art schools and programs are foundering, the League continues to support, encourage and promote the arts.”

“The Art Students League has always been a non-accredited, open institution that welcomes everyone, at all stages of development,” explains Stephanie Cassidy, Cultural Historian and Head of Research & Archives at the League. “I think that the template that the League offers is timeless. It’s a democratic institution that welcomes all and that will always be something that people want.”

Stewarded by an artistic mentor, students choose their classes month by month. The League also offers short-term workshops, online classes, and a four-year certificate program, and has outreach programs at local schools. Hall says, “We cover drawing, painting, ceramics, metal-working, stone-carving, printmaking, abstraction and figuration. You choose your own path, and we can help guide you.” In the adult classes, students range from beginners to established artists exploring new avenues. “We have a garden variety of students,” says Hall. “Everyone’s equalized in the studios.”

Allyn Cox Papers, 1856-1982; Archives of American Art, Smithsonian Institution; Photo by Alan Fisher.

Allyn Cox teaching an Art Students League class, August 1940. 

The freedom of the League’s educational system has attracted many visionary artists—including Georgia O’Keeffe, Romare Bearden, Mark Rothko, Ai Weiwei, and Yayoi Kasuma—making it one of the most historically significant and influential art schools in the world.

Since the League has spent the last century and a half providing a haven for artists, artistic freedom and artistic exploration, its 150th anniversary involves a number of stellar exhibitions and events over the course of the year. Anniversary celebrations kicked off with “Shaping American Art: A Celebration of the Art Students League of New York at 150,” which ran from May 29 to August 17. Other anniversary exhibitions include “The Abstract Expressionists,” which sheds light on how the League’s unique structure encouraged the birth of this pivotal movement; “Reexamining Realism,” which examines Realist works on paper from the League’s collection; and “The Society of American Fakirs Revisited,” highlighting a student group from the turn of the last century that created satirical parodies of famous paintings, bringing some levity to heavy times. All three exhibitions are on view throughout the League’s 57th Street location, September 4–December 31, 2025.

Assistant Curator Esther Moerdler is elated at reception for “Shaping American Art.” She says many visitors shared stories of friends and family who attended the League, while the exhibition has drawn others with no idea that the League even existed. “It’s this city’s best kept secret. So it’s been really great to have people come in off the street and see the exhibition ... people have enjoyed it and have gotten so much out of it.” Moerdler is happy that the exhibition brought “people into this amazing institution that is so much a part of American history, New York history, and art history.” She says it’s “been an honor to curate a gateway into the world of the League.” 

The exhibition tells the story of the League—beginning with the founders’ early figure drawings, then branching out “into more thematic explorations by League artists, including portraiture, abstraction, painting and printssculpture, and photographs.” Based primarily on the League’s collection and supplemented with strategic loans, the exhibition creates dialogues between artworks. An early student work by O’Keeffe was placed near work by her teacher, William Merritt Chase, illustrating their influential teacher-student relationship. “There’s this amazing connection at the League between instructors and students,” Moerdler says.

Another exciting part of the anniversary festivities is an anthology titled 150 Stories. A collaboration with almost 150 writers, including artists, art historians and curators, the book delves into the League’s development, power, and importance as a cultural institution in New York City with a global reach, sharing stories about the educational experiences, formative relationships and ideas that informed the arcs of League artists’ careers.

*This article originally appeared in Art & Object Magazine's Fall 2025 issue.

About the Author

Megan D Robinson

Megan D Robinson writes for Art & Object and the Iowa Source.

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