British installation artist Rebecca Louise Law uses flowers and natural materials as her medium to “paint in the air.” The Toledo Museum of Art (TMA) has commissioned this vanguard contemporary artist to design and implement her largest site-specific installation to date exploring the relationship between humanity and nature.
Art News
Phillips New Now auction proved itself to be a staple of the auction calendar this week, mixing work by emerging and established artists in a successful sale. With over 250 lots offered, the auction expected to realize over $5 million, and made $6.4 million.
Sotheby’s Contemporary Curated auction concluded last night in New York with a total of $31 million – the highest-ever total for the auction series since it was introduced at Sotheby’s in 2013.
On 15 November, Phillips will offer Joan Miró’s Femme dans la nuit among the star lots of the 20th Century & Contemporary Art Evening Sale. Painted in 1945, the work is an important example of Miró’s output created during the Second World War and was included in the important 1962 retrospective of the artist’s work at the Musée National d’Art Moderne in Paris.
A group exhibition showcasing contemporary female artists based in Austria and the United States, Women.Now. explores women’s changing roles through a variety of media, including paintings, pottery, textiles, drawing, mixed media projects and video.
A pioneer of institutional critique, artist Hans Haacke creates conceptual works that expose connections among money, art, and politics. Haacke recounts the realizations that inspired him to demystify the relationships between art and the outside world, as in his SFMOMA collection work News (1969).
Opening September 17 at The Metropolitan Museum of Art, Delacroix is the first comprehensive retrospective in North America devoted to the artist. Visitors will discover a protean genius who continues to set the bar for artists today.
Dr. Mindy Besaw, Curator of American Art, Crystal Bridges Museum of American Art, and Dr. Steven Zucker discuss Nari Ward's We the People (black version), 2015 (shoelaces, 8 × 27 feet, Crystal Bridges Museum of American Art).
Fifty years after their last show, the Art Institute of Chicago presents the first major survey of the Hairy Who, a group of six Chicago Imagists. Similar to New York Pop Art in their use of imagery from advertising, Chicago Imagists differed from Pop artists in their creation intensely personal work.
From deep within Private Eye HQ guest curator Ian Hislop takes you on a journey through the history of protest and dissent using objects from the British Museum collection.
