Do archaeological exhibitions always require a theme? Of course, there needs to be an overarching subject justifying and advertising why a selection of material has been brought together. Themes help to tell stories, create an argument, and give meaning to seemingly disparate collections of objects. The narratives constructed by curators allow items, especially mundane ones, to take on increased relevance by placing them in a broader context.
Art News
With over 120 artworks from 25 museums and private collections from around the world, visitors of Beyond Bollywood: 2000 Years of Dance in Art at the Asian Art Museum in San Francisco experience the encompassing role of dance in South and Southeast Asian cultures.
“I have never been in a city that gave me the same sense of freedom as Venice,” Peggy Guggenheim wrote, “Venice is not only the city of freedom and fantasy but it is the city of pleasure and happiness.”
A while back, NASA trained its giant James Webb Space Telescope on several distant galaxies that emerged a mere 500 to 700 million years after the universe came into being 14 billion years ago and found them to be much larger and more mature than they should have been according to
With news of the oil and gas company BP beating predicted revenue streams this year with over $5 billion in the first three months of this year, it is hard to believe that such a move comes at a time when Americans and Europeans alike find themselves facing the highest energy
"This exhibition is the first New York retrospective of Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. "Jaune Quick-to-See Smith: Memory Map" brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date." - Via
The Buffalo AKG Art Museum is going through a major update.
By ripping through his canvases, Lucio Fontana changed what a painting could be, and the course of art history. His groundbreaking slashed paintings, called Cuts (Tagli) embodied Spatialism, Fontana’s art movement that was meant to create a new kind of art synthesizing color, sound, space, and movement. Before his Spatialist manifestos and slashed paintings, Fontana was a sculptor, and the Met Breuer is exploring the Argentine-Italian artist’s early work in a new retrospective, Lucio Fontana: On the Threshold.
The National Gallery's Conservation Fellow, Kendall Francis takes a closer look at indigo, a blue dye and pigment extracted from the leaves of plants, and how it is used and represented in paintings in our collection. Kendall's research reveals histories that are not explicitly portrayed in the paintings and highlights the important contributions from a wider range of people, including the enslaved people who cultivated the crops and extracted the indigo against their will.
With, “Entrance to the Mind: Drawings by George Condo,” The Morgan Library offers a modest, but impactful, survey of the artist’s works on paper dating as far back as the mid-1970s.
