Museum

Curator Naomi Speakman explores the fantastical world of medieval bestiaries and the mythical creatures found within.
The Cincinnati Art Museum is currently celebrating the often unsung and unrecognized contributions of women in art and the art world, with Women Breaking Boundaries, the Museum’s contribution to an…
David Brenner, Principal and Lead Designer of Habitat Horticulture, shares the inspiration behind SFMOMA’s new Living Wall.
An American Renaissance man and one of our Founding Fathers, Thomas Jefferson has shaped the very nature of our country.
The friendship between the two artists did not only enrich their private lives, but also the development of their art in the post-WWII decades.
Kiki Smith is fascinated by stories where powers and punishments involve human, animal, and celestial transformations. Her work with fairy tales, myths, and allegories examines human nature’s…
David Pullins introduces the exhibition 'Manet: Three Paintings from the Norton Simon Museum' on view at The Frick Collection from October 16, 2019 through January 5, 2020.
Based in Amsterdam, the artist collective Studio Drift defies labels while pushing the boundaries of technology to realize their meditative ideas based on natural forms.
Senior paintings conservator Pam Skiles and DAM director Christoph Heinrich discuss the role of varnish on paintings and why Monet and other Impressionists preferred matte finishes over varnish. See…
Call and Response, Betye Saar’s current exhibition at the Los Angeles County Museum of Art (LACMA), is a small but poignant portrait of the world Saar created over the course of her half century…
Exploring the history of St Michael Defeating the Devil by the Master of Belmonte from 1450-1500.
The aim of CIBO is to remind us that food is the unique and yet universal component that connects human beings across the globe.
Alexander Noelle, Anne L. Poulet Curatorial Fellow, provides an introduction to the exhibition 'Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence' on view at The Frick Collection…
Eve Arnold was a woman in a profession dominated by men. She strongly opposed the label of “woman photographer” because she simply wanted to be recognized as a photographer who happened to be a woman.
To ready Paula Modersohn-Becker's "Self Portrait" (1907) for MoMA's reopening in October, conservator Diana Hartman tackles the question of how to repair holes in the painting’s canvas.