At Large

"Could modern architects not learn to work with traditional materials while retaining the forms and the spirit of our own times? This is the question so beautifully answered by one of the greatest…

Between 1897 and 1926, Claude Monet painted approximately 250 waterscapes of his favorite subject towards the end of his life: Water lilies. The latter half of these paintings in particular are…
Up until the late nineteenth century, Rome’s forum—the political center of the ancient Roman world and now one of the most visited sites in the city—was still hidden, buried under meters of debris…
Orphism seemed to stem from Cubism, in part, because it shared the desire to break down solid objects and challenge human perceptions of time, space, and volume. And yet, this “offshoot” of Cubism…
King Tutankhamun—or King Tut—first entered the Western zeitgeist in 1922, when his tomb was opened by the British archaeologist Howard Carter and his financier the fifth Earl of Carnarvon. The near-…
When the czar Alexander III took the throne in 1881—accompanied by his wife, Maria Feodorovna, he unwittingly began a lavish Easter tradition within the Russian imperial court—the bedazzled egg.
Scholars and curators are reviving these oeuvres and changing the way we talk about women in art history. From the paper cuttings of Joanna Koerten to the drawings of Gesina Ter Borch, here is a…
Due to associations with creativity, craftsmanship, and pleasure, wine is often closely aligned with art and consumers often pay good money to enjoy both. These wineries—from Northern California to…