This summer, Meyer Gallery presents four solo exhibitions by Eric G. Thompson, Milt Kobayashi, William C. Hook, and Francis Livingston. Each show highlights a painter whose…
painting
During the Victorian era, one name constantly echoed within the walls of every English art enthusiast was Edwin Landseer (1802 – 1873). Son of John Landseer, an engraver and writer…
The exhibition Scottish Colourists: Radical Perspectives opened at Dovecot…
This April, the Whitney Museum of American Art opens Amy Sherald: American Sublime, and…
On March 30, 2025, the Museum of Fine Arts, Boston…
It was 1939, just two years after Picasso painted his anti-war…
The visual directness of Christina Ramberg’s paintings can be misleading. Take Shady Lacy (1971), which shows the back of a shapely figure dressed in a…
Japanese painter Keita Morimoto's first solo exhibition, To…
Iowa-based multimedia artist Jim Shrosbree won a prestigious …
Grisaille made a name for itself in European artwork. Literally meaning “greyness” in French from the prefix gris, the method reached its peak of prominence during the sixteenth century. The…
After 90 years of questioning the fate of four frescoes by Maxine Albro (1893-1966), originally painted on the exterior walls of The Ebell of Los Angeles in 1933, the …
On a visit to a museum, one usually hones in on the quest to take in as much art as possible. As one walks between galleries, absorbing centuries of art, an expected but often overlooked…
Around 1908, Vanessa Bell began a painting that she would call Poppies and Poison. In it, she limns a tabletop in cool-toned whites, set against a…
![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/image_5_column/public/ab15211bartonthe-more-human-lovelg.jpg?itok=wW_Qrve3)
