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The recent publication Archive of the World: Art and Imagination in Spanish America, 1500–1800, a companion catalogue for a show of the same name and the first comprehensive study of LACMA's notable holdings of Spanish American art, is a remarkable and important piece of work. 
To reach people beyond the confines of museum walls, sixty-seven members of the Ecoart Network (a group with over 200 artist members) have collaborated on a new book that provides a road map, drawn by artists, to a more sustainable future.
Madelyn Jordon Fine Art is delighted to present Surreal Summer, a group exhibition featuring work by Deborah Buck, Ron Ehrlich, Samantha French, Eugene Healy, Sandrine Kern, Gary Komarin, Kate Roebuck, Roohi Saleem, and Tom Wesselmann.
Linda Nochlin caused a stir when she published, "Why Have There Been No Great Women Artists?" in 1971. Turning the conventional wisdom of the title on its head, she clarifies that there have always been great women artists, they've just been written out of the record by men.
These ongoing protests so far consist of the same general series of actions. Members of the group Just Stop Oil glue their hands to the frame of a famous painting and speak to crowds about their fears for humanity’s future on this planet as they relate to the climate crisis.
The grant recipients selected for 2022 will explore the materialization of microscopic imaging technology, the distributive properties of mycelium networks, artificial intelligence, and relationships between diverse fields of research and the inquiries of contemporary artists.
Demonstrations of civil unrest are a fundamental part of American history. They unify marginalized individuals and give voices to groups who are so often silenced. Although the messages of protest signs can greatly differ from one another, the signs themselves always share a few general trademarks.
The underground cities of Cappadocia—located in the middle of Turkey’s Central Anatolia Plateau—are one of the most awe-inspiring remnants of the ancient world. Comprised of vast tunnel complexes, these cities are one of many byproducts of the region's historic volcanic activity.
During his career, Fenton achieved many things including the founding of the Royal Photographic Society. Yet, his worldwide fame and recognition as the first war photoreporter comes from the images he took during the Crimean War (1853-1856).
Spread over two capacious floors, the exhibit is Eisenman’s first presentation of new paintings in New York City after a seven-year hiatus in which their sculpture, fresh examples of which are also on view, took center stage.