Today, like so many other historical works, Albrecht Dürer's "Self-Portrait" from 1500 is taken for granted as a masterpiece. That, however, was not always the case. This podcast episode explores the story behind Dürer's iconic "Self-Portrait."
Art News
World War I's wounded needed a sculptor, and one artist was able to make a huge difference.
In a candid one-on-one conversation, Kara Walker and composer/musician Jason Moran discuss their collaboration for the Prospect.4 triennial in New Orleans, "Katastwóf Karavan" (2018). Installed at Algiers Point on the bank of the Mississippi River and activated daily across three days in February 2018, the work featured a thirty-two-note steam calliope performed by Moran and housed in a wagon developed by Walker.
Abstract painter Etel Adnan catalogs the scarce paintings she encountered as a child, shares her memories of a formative trip to the Louvre, and explains her current fascination with tapestries as well as her recent urgency to create new work.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made.
This weekend in Houston, the Menil Collection opened the doors to the newest building on its 30-acre campus. The Menil Drawing Institute’s 30,000-square-foot, $40 million building houses the Menil’s comprehensive drawing collection and represents the first freestanding building in the United States built expressly for the exhibit, study, storage, and conservation of modern and contemporary drawings.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made...
Beginning this month, Raleigh’s North Carolina Museum of Art (NCMA) has a new director in Dr. Valerie Hillings. After a worldwide search for Director Dr. Larry Wheeler’s replacement, who was with the museum for 24 years, the museum has found a leader with local roots and global connections.
When Banksy shredded his artwork the moment after it sold at auction, he left many questions unanswered. What are we to make of the stunt?
French-Tunisian artist eL Seed released his first book project, Perception, earlier this month. The book, in limited edition of 500, is both an accompaniment to and documentation of the artist’s extraordinary mural by the same name, which stretches across fifty buildings in Cairo. Displaying the words of Saint Athanasius of Alexandria, a Coptic Bishop from the Third Century: ‘Anyone who wants to see the sunlight clearly needs to wipe his eyes first,’ the project employs the artist’s signature style, “calligraffiti,” which incorporates the visual culture of traditional Arab calligraphy into contemporary, often politically charged, street art.
