Taking a contemporary perspective, the Whitney is looking back through their collection, reviewing how programming has evolved in modern and contemporary art. Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 begins with early conceptual works from artists like Sol LeWitt, Josef Albers, and Donald Judd, who used rules and instructions to guide their creative practices. By creating and working within these parameters, these early conceptual artists of the 1960s insisted that the idea behind the work was just as important as the work itself.
Art News
A pioneer of institutional critique, artist Hans Haacke creates conceptual works that expose connections among money, art, and politics. Haacke recounts the realizations that inspired him to demystify the relationships between art and the outside world, as in his SFMOMA collection work News (1969).
Dr. Mindy Besaw, Curator of American Art, Crystal Bridges Museum of American Art, and Dr. Steven Zucker discuss Nari Ward's We the People (black version), 2015 (shoelaces, 8 × 27 feet, Crystal Bridges Museum of American Art).
Fifty years after their last show, the Art Institute of Chicago presents the first major survey of the Hairy Who, a group of six Chicago Imagists. Similar to New York Pop Art in their use of imagery from advertising, Chicago Imagists differed from Pop artists in their creation intensely personal work.
From deep within Private Eye HQ guest curator Ian Hislop takes you on a journey through the history of protest and dissent using objects from the British Museum collection.
Through her iconic casts of domestic objects and spaces, Rachel Whiteread has created a language of her own, one that subtly tells stories about the quiet moments of our lives and the places they are lived out. Through the more than 100 objects on display in her survey at the National Gallery of Art, it is clear that throughout her 30-year career, Whiteread has honed this voice, and used it to tap into our intimate memories and feelings related to home.
The Metropolitan Museum of Art has all of their Vincent Van Gogh masterpieces under one roof for the first time in years. The Met owns sixteen Van Gogh's, the largest collection in North America. The works are frequently out on loan for exhibitions at other institutions around the world.
Opening Friday at the Minneapolis Institute of Art (Mia), Sara Cwynar: Image Model Muse uses film, collage, and composite photographs to examine how design and popular images impact our psyches, affect our social and political realities, and mold our conceptions of beauty.
An extensive exhibition at the Met Breuer, "Odyssey: Jack Whitten Sculpture 1963–2017" introduces viewers to the acclaimed painter’s previously unknown sculpture. A groundbreaking innovator in abstract painting, Whitten also created striking sculpture, utilizing wood, nails, fish bones, and other materials.
Sculptor, musician, and computer programmer, Christopher Schardt, talks about "Nova," his installation of programmable LED lights that respond in psychedelic patterns to classical musical accompaniment.
