December 2019 Art News

Our exhibition explores the art historical influences behind Dolce&Gabbana’s Alta Moda, Alta Gioielleria and Alta Sartoria collections.
During the 1960s and 1970s, many artists working with abstraction rid their styles of compositional, chromatic, and virtuosic flourishes. As some turned toward such minimal approaches, a singular emphasis on their physical engagement with materials emerged.
Arte del mar: Artistic Exchange in the Caribbean presents a stunning narrative of creativity from the ancestral cultures that encircled the Caribbean Sea in the millennia before European colonization.
A collection of extraordinary drawings spanning 700 years is coming to the Art Institute of Chicago in January.

The large Baroque painting of the baby Moses being found amongst the reeds has hung in the National Gallery, London for nearly twenty years. Unmissable at nearly ten feet wide with figures clad in vibrantly hued robes, with dramatic lighting and subject matter, the painting has been an attraction that many assumed was part of the museum’s collection.

PAMM To Possess Fourth-Largest Holding of Christo’s Work in the United States
Usually, this many bugs in an art museum would result in an urgent call to the exterminator. But when Canadian artist Jennifer Angus is in town, an infestation becomes a thing of incredible beauty.
'Nameless and Friendless' was painted in 1857 by Emily Mary Osborn. It captures a single woman trying, and failing, to earn a living as an artist in Victorian England.
The Detroit Institute of Arts invites visitors to experience an exhibition that explores how science and technology is used to learn about art.
In four new, large-scale mixed-media works composed of a wide range of found materials, Aaron Fowler references the personal, political, and cultural.