September 2018 Art News

Fifty years after their last show, the Art Institute of Chicago presents the first major survey of the Hairy Who, a group of six Chicago Imagists. Similar to New York Pop Art in their use of imagery from advertising, Chicago Imagists differed from Pop artists in their creation intensely personal work.
From deep within Private Eye HQ guest curator Ian Hislop takes you on a journey through the history of protest and dissent using objects from the British Museum collection.
The exhibition Project Blue Boy opened at The Huntington Library, Art Collections, and Botanical Gardens on Sept. 22, 2018, offering visitors a glimpse into the technical processes of a senior conservator working on the famous painting as well as background on its history, mysteries, and artistic virtues. One of the most iconic paintings in British and American history, The Blue Boy, made around 1770 by English painter Thomas Gainsborough (1727-1788), is undergoing its first major conservation treatment.
Who was Su Shi, and why is he so revered within Chinese culture? Art critic Alastair Sooke and Christie’s specialist Sophia Zhou look at the life and times of this giant of Chinese culture, and reflect on his revolutionary ideas about what painting could be.
This fall, the Philadelphia Museum of Art will premiere "Bury Our Weapons, Not Our Bodies!," a new site-specific public performance by acclaimed Israeli-born artist Yael Bartana. This performance will be presented as part of a solo exhibition at the Museum dedicated to the artist’s provocative film trilogy, "And Europe Will Be Stunned" (2007-2011).
Sotheby’s Yellow Ball Auction, presenting the extraordinary art collection of Frank and Lorna Dunphy, realized $13.3 million today, with 92% of lots sold, and participants from 43 countries. Known for managing Damien Hirst, Frank and his wife, Lorna, collected an impressive array of art.
Peter Bruegel the Elder’s Dulle Griet (Museum Mayer van den Bergh, Antwerp) has regained its spectacular original appearance with the rediscovery during restoration of a blue-green sky. Experts at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels have worked for a year and a half on the treatment of the world-famous painting.
Inspired by the exhibition Human Interest: Portraits from the Whitney’s Collection, a new Whitney Stories series invites artists to discuss portraits that are meaningful to them. Here, Jared Bark, known for his contributions to the vibrant underground performance art scene of 1970s New York, describes his affinity with the painter John D. Graham.
From September 20, 2018, through March 17, 2019, the Museum of Arts and Design (MAD) will present "Liz Collins: Rays." "Liz Collins: Rays" is drawn from the artist’s “Rays” wallpaper series, the design of which she completed during her 2015 residency in the MAD Artist Studios program.