September 2018 Art News

Pittsburgh-based visual and performance artist Vanessa German, known for her activism as well sculptures incorporating found objects and female figurines, considers the experience of a vulnerable, underserved, and criminalized segment of America in the exhibition, Things Are Not Always What They Seem: A Phenomenology of Black Girlhood.
This weekend the Museum of Jewish Heritage in Manhattan is offering free admission for visitors, giving them a chance to see a rare work on loan. Pierre-Auguste Renoir’s 1919 Two Women in the Garden (Deux femmes dans un jardin) is making a pit stop at the museum on it’s way to a new home.
The Denver Art Museum (DAM) presents "Stampede: Animals in Art," an expansive, large-scale 20,000 square-foot exhibition spanning floors three and four of the museum’s Frederic C. Hamilton Building. Featuring approximately 320 objects drawn from every collection across nine curatorial departments, the exhibition will explore the presence of animals in art across centuries and cultures.
Now the top-selling female artist in the world, Yayoi Kusama overcame impossible odds to bring her radical artistic vision to the world stage.
The Walker Art Center and The Metropolitan Museum of Art present Siah Armajani: Follow This Line, the first comprehensive retrospective in the United States devoted to the work of Minneapolis-based artist Siah Armajani. Armajani is best known today for his works of public art—bridges, gazebos, reading rooms, and other gathering spaces—sited across the United States and Europe.
The Metropolitan Museum of Art has all of their Vincent Van Gogh masterpieces under one roof for the first time in years. The Met owns sixteen Van Gogh's, the largest collection in North America. The works are frequently out on loan for exhibitions at other institutions around the world.
In the early 17th century, Galileo Galilei enjoyed a celebrity status at the University of Padua, where he published his first work in 1606. But, when an eager rival accused him of plagiarism shortly theafter, Galileo’s integrity was called into question.
Opening Friday at the Minneapolis Institute of Art (Mia), Sara Cwynar: Image Model Muse uses film, collage, and composite photographs to examine how design and popular images impact our psyches, affect our social and political realities, and mold our conceptions of beauty.

Lehmann Maupin is pleased to announce its representation of Suh Se Ok, and the artist’s debut exhibition in New York. The 89-year-old South Korean artist will exhibit a number of works from People, his ongoing series of ink paintings produced between the 1960s and the 2000s. Made with extended brushes on large sheets of rice and mulberry paper, the works depict highly stylized human figures constructed from dashes and linear strokes that vary in scale, thickness, and tone.

Allison Glenn and Beth Harris discuss Ruth Asawa's Untitled, (c. 1958, iron wire) at the Crystal Bridges Museum of American Art.