Art News

Chromotherapy brings together works in various media by nine artists: Ai Weiwei, John Chiara, Kota Ezawa, Angelo Filomeno, Andy Goldsworthy, Mike Henderson, Won Ju Lim, Meghann Riepenhoff, and David Simpson.

Originally trained as a painter in Japan and captured by the California Clay Movement of the early 1960s, Kaneko has for decades explored the interpenetration of form and space in his sculptures.

The artists’ work represents an authentic depiction of a region that is widely underrepresented and misrepresented. The eruption of social media in recent years is broadcasting their work to the world.

Retro Africa Gallery makes its U.S. debut with a group exhibition of new works by Nigerian-American artist and writer Victor Ehikhamenor, Congolese painter Chéri Samba and African-American artist Nate Lewis.

The exhibition presents the works of more than 120 women photographers from 20 different countries and highlights the advancements made by women behind the camera between the 1920s and the 1950s.

The collection was amassed by David Winston, who holds a Royal Warrant as Restorer and Conservator of Pianos to the Queen of England. It is comprised of twenty-six unique instruments dating from the eighteenth century to present day.

In perhaps the next inevitable step down a path paved by bitcoin, NFTs, and a boom in collectibles like Pokémon cards, shares of Pablo Picasso’s Fillette au béret will soon be available for purchase and trade by investors.

The J. Paul Getty Museum presents Artists as Collectors, an exhibition exploring how artists accumulated, cared for, and used drawings by other artists that they avidly collected, on view at the Getty Center through September 12, 2021.

On a visit to a museum, one usually hones in on the quest to take in as much art as possible. As one walks between galleries, absorbing centuries of art, an expected but often overlooked constant emerges—the picture frame.

The Spanish Galleon San José, which sank off the coast of Colombia in 1708, was rediscovered by Colombian officials in 2015 near Cartagena. For years, the San José was called the “holy grail of shipwrecks,” believed to contain plundered items—primarily gold, silver, and emeralds—worth an estimated $17-22 billion.