From honorary sculptures that celebrate athletic valor, to Realist portraits that humanize individual team members, to Abstract prints that raise uncomfortable questions about violence and pain, the following seven artists prove that this American cultural phenomenon is ripe for increasingly-diverse artistic engagement.
In a city of endless opportunities, one organization is doing its best to optimize all that New York has to offer. Chashama has a 25-year history in New York of supporting artists by optimizing one of the city’s hottest commodities: real estate. The non-profit seeks out vacant commercial spaces and convinces their owners to let artists use the space.
Tyson presents nine new paintings alongside three groups of graphite drawings. Reflecting the close dynamic between painting and drawing that has activated her practice from the beginning, Holding Pattern builds on the artist’s acclaimed survey at the Drawing Room in 2017, pushing her use of figuration and portraiture into experimental territory.
This November, Sotheby’s will present Frida Kahlo’s 1949 self-portrait, Diego y yo (Diego and I), the final, fully realized ‘bust’ self-portrait completed before her death in 1954. This historic work carries an estimate in excess of $30 million.
The Affordable Art Fair will give visitors another opportunity to fall in love with original artwork. Galleries, dealers, and established artist collectives may only submit original works from living artists and all prices must be between $100 and $10,000.
Saints canonized by the Catholic Church come mostly from two major categories: those who lived with or were martyred for Jesus Christ, and those in the centuries since whom performed miracles. Regardless of one’s religious beliefs, many of these saints’ stories are rooted in faith more than fact.
Presented in a solo exhibition, the focus of Rashid’s residency has been producing the latest installment of his massive fictional universe 18 years in the making: “an alternative, feudal version of America that has nobility and titles.” Within this world, Rashid whimsically imagines the cultural intricacies of Colonial Era class dynamics through cross-generational iconography, maps, cosmological diagrams, Afrofuturistic sensibilities, and pop culture references from his upbringing, such as the Golden Age of hip hop.
This final installment of the Art & Object series on top art schools and programs of the U.S. is a true roundup of the nation’s very best.
In 1988, artist Lynn Hershman Leeson told an interviewer to “imagine a world in which there is a blurring between the soul and the chip.” That mental blur—and the ways in our internet lives, and especially internet vernacular, is subtly interwoven into our actual lives—is a theme of Reality Ender, painter Avery Singer’s first New York show, on view at Hauser & Wirth through October 30, 2021.
In the Spring of 2005, an item coming up for auction in New Orleans caught the eye of Alexander Parish, an art expert, who called his friend, dealer Robert Simon. There was something about Lot 664, a Salvator Mundi copy attributed to Bernardino Luini, a student of Leonard da Vinci.