A recently opened exhibition of over 100 photographs at the Philadelphia Museum of Art (PMA), Face to Face: Portraits of Artists, introduces visitors to the flesh-and-blood creatives behind oil-on-canvas works hung in nearby galleries. “These wonderful portraits feel a little bit like family photos that we’re excited to share with you,” curator Peter Barberie notes in the show’s introductory wall text.
The show begins with a classic studio portrait of 19th century French caricaturist Honoré Daumier and ends with contemporary photographer Alice O’Malley’s semi-nude depiction of Manhattan drag queen, Mistress Formika. Clearly, the formality of the photographic portrait has changed over the years. The fascination with this mode of image-making has not.













![DEl Kathryn Barton [Australian b. 1972] the more than human love , 2025 Acrylic on French linen 78 3/4 x 137 3/4 inches 200 x 350 cm Framed dimensions: 79 7/8 x 139 inches 203 x 353 cm](/sites/default/files/styles/image_5_column/public/ab15211bartonthe-more-human-lovelg.jpg?itok=wW_Qrve3)



