At Large  March 25, 2026

What’s Online May/June 2026: Art & Object Magazine

Here's a Roundup of What We've Been Covering Online
CLEVELAND MUSEUM OF ART. BEQUEST OF JOHN L. SEVERANCE 1942.647

JMW Turner, The Burning of the Houses of Lords and Commons, 16 October 1834,1835.

Turner & Constable: A Rivalry Impacting Artists Today

Gallery Despite their differences, both men are seen as highly original painters who challenged artistic norms. Their innovations raised the bar for landscape painting, inspiring their contemporaries Géricault and Delacroix, as well as the entire Barbizon School and the French Impressionists.

story image

Tavares Strachan’s Immersive Multisensory Installations at LACMA

Gallery Tavares Strachan approaches art the way he thinks about music—fluid, improvisational, and open to interpretation. That sense of rhythm and release animates The Day Tomorrow Began, Strachan’s first major Los Angeles museum exhibition.

story image

The Louvre Reckons with Fraud, Floods, and Failing Infrastructure

Museum The Louvre has weathered both revolutions and occupations over the centuries. Yet, the past few months have exposed a different kind of vulnerability in its leaking pipes, aging cameras, and institutional drift.

story image

Comics Enter the Fine Art Market at David Zwirner, London

At Large Once relegated to cheap newsprint created only as casual entertainment to be consumed primarily on Sundays—or alternatively, more transgressive subject matter hidden behind the counter—cartoons and comics have now entered the hallowed halls and white cubes of the high-end art market.

story image

How Multimedia Artist Daniel Arsham Builds a Creative Life

At Large Arsham chronicles his life and work in his newly released autobiography, Future Relic: Failures, Disasters, Detours, and How I Made a Career. Art & Object talked with the artist about his book and his process.

Subscribe to our free e-letter!

Webform