Art News

Follow the conservation treatment and research of Emblem of Folly, a painting from colonial Cuzco. This is one of ten paintings in the Cuzco School style that were recently gifted to The Met as part of the Museum’s effort to collect works from colonial Latin America.
See how a team of expert car movers and art handlers worked together to move cars from the street to the Detroit Institute of Arts' galleries for the exhibition, Detroit Style: Car Design in the Motor City, 1950–2020.
Through her continuous experimentations and the uninterrupted evolution of her art, Sherman has been revealing the absurdities of our society for the past forty years.
Alaina Boukedes, a guest specialist in MoMA's Department of Visitor Engagement, talks about the “unpredictability” of her favorite piece in the MoMA, Philippe Parreno’s installation Echo.
Paulina Pobocha, associate curator in the Department of Painting and Sculpture at MoMA, talks about one of the “most significant works made during the second half of the 20th century”: October 18, 1977 (1988), Gerhard Richter’s contemporary take on history painting.
Aliza Nisenbaum is best known for her bright, large-scale portraits of people and community groups.
Paintings of turquoise swimming pools drenched in California sunlight may be the first images that come to mind at the mention of British artist David Hockney, but drawing is the continuous thread running through Hockney’s life.
Sanford Biggers mines African American history and traditions in a wide variety of ways—ranging from painting on and constructing collages with recycled quilts to making installation art, performance, video, and sculpture.
At the Museum of Arts and Design (MAD), Beth Lipman’s sumptuous feasts in glass glisten under the gallery lights.
How do you keep art and the people who care for it safe during a global pandemic? The spread of Covid-19 has not changed that level of care, which we give to the thousands of artworks and the millions of library and archive items in our collection. However, it has certainly created new challenges, whether that is the need for social distancing or restrictions on international travel. As the galleries move in and out of lockdown, our Collection Care teams have been working together to find new ways of looking after art in exceptional times.
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