Press Release  February 11, 2018

LACMA Celebrates the 10th Anniversary of Chris Burden’s 'Urban Light'

© Chris Burden/licensed by The Chris Burden Estate and Artists Rights Society (ARS), New York, photo © Museum Associates/LACMA

Chris Burden, Urban Light, 2008, Los Angeles County Museum of Art, The Gordon Family Foundation's gift to "Transformation: The LACMA Campaign"

The Los Angeles County Museum of Art (LACMA) Celebrates the 10th Anniversary of Chris Burden’s Urban Light

Retrofitting of incandescent to LED lightbulbs made possible by a grant from the Leonardo DiCaprio Foundation

Los Angeles— The Los Angeles County Museum of Art (LACMA) is pleased to commemorate the 10th anniversary of Chris Burden’s Urban Light (2008). Situated on Wilshire Boulevard at the museum’s entrance, the sculpture incorporates 202 vintage street lamps of 17 different designs from various cities in and around the Los Angeles area. Urban Light joined LACMA’s collection in February 2008 as a gift from the Gordon Family Foundation to “Transformation: The LACMA Campaign.” In honor of the 10th anniversary, the Leonardo DiCaprio Foundation (LDF) has generously supported the replacement of all 309 incandescent light bulbs with LED bulbs, resulting in approximately 90% in power savings for LACMA while also reducing emissions of greenhouse gases and other harmful pollutants.

“Over the last decade, Chris Burden’s Urban Light has become a Los Angeles icon and a hallmark of our community. The lampposts, hailing from all over Los Angeles and its vicinity, represent the diversity of our great city and the people who live here,” said Michael Govan, LACMA CEO and Wallis Annenberg Director. “Thanks to the support of the Leonardo DiCaprio Foundation, this conversion to LED bulbs ensures that Urban Light will continue to be bright, accessible, and environmentally friendly for future generations.”

“Whether you’re a visitor to LACMA or a passerby on Wilshire, Urban Light has captured the imagination of everyone who has experienced this wondrous work of art,” said Los Angeles Mayor Eric Garcetti. “With the installation’s conversion to new energy efficient LED bulbs, today marks the start of a new era for this symbol of our city’s creative spirit.”

“My Foundation is proud to support LACMA as it transitions to new, energy efficient lighting for Chris Burden’s Urban Light installation,” said LDF Founder and Chairman Leonardo DiCaprio. “It is my hope that leaders from other cultural, civic and private institutions will follow the example set by LACMA to examine the financial and environmental benefits of switching to LED lightbulbs in public places as a way to help combat climate change.”

To kick off the 10th anniversary celebrations, LACMA commissioned artist and photographer Siri Kaur, who is represented in the museum’s collection, to shoot portraits of people who have marked personal milestones at Urban Light. A special photoshoot took place on January 27 at the museum. On February 8, LACMA hosted a special unveiling of the sculpture’s conversion to LED light bulbs at an event attended by Los Angeles Mayor Eric Garcetti, LDF CEO Terry Tamminen, artist Nancy Rubins, and Michael Govan.

About Urban Light
Chris Burden’s Urban Light incorporates 202 antique cast-iron lampposts from various cities in and around the Los Angeles area. In the early 20th century, many neighborhoods designed its own streetlamps as a form of public art and civic identity. Over seven years, Burden recovered and restored many of these vintage one-and-a half ton lampposts. When they arrived at the artist’s compound in Topanga Canyon in pieces, they were sandblasted, and missing parts, including the hand-blown glass lanterns and globes, were fabricated or salvaged from other lamps. They were then painted a medium gray and electrified. The artist painstakingly catalogued each streetlamp by individual type according to the year of its manufacture, its original location, its height, and the number of lamps it contains. Gathered into a whole, the artist described the streetlamps as “a statement about what constitutes a civilized and sophisticated society: safe after dark and beautiful to behold.”

About Chris Burden
Chris Burden (1946–2015) was born in Boston, Massachusetts. He moved to California in 1965 and obtained a BFA at Pomona College, Claremont, California, in 1969 and later an MFA at the University of California in 1971. Burden’s first mature works were characterized by the idea that the truly important, viable art of the future would not be with objects, the things that you could simply sell and hang on your wall. Instead art would be ephemeral and address political, social, environmental, and technological change. Burden, with his shockingly simple, unforgettable, "here and now" performances, shook the conventional art world and took this new art form to its extreme. The images of Burden that continue to resonate in the public mind are of a young man who had himself shot (Shoot, 1971), locked up (Five Day Locker Piece, 1971), electrocuted (Doorway to Heaven, 1973), crucified (Trans-fixed, 1974), and advertised on television (4 TV Ads, 1937–77). His work subsequently shifted, focusing on monumental sculptures and large-scale installations such as The Big Wheel (1979), A Tale of Two Cities (1981), Beam Drop (1984), Samson (1985), Medusa’s Head (1990), L.A.P.D. Uniforms (1993), Urban Light (2008), and Metropolis II (2010). These works reflect social environments, make observations about cultural institutions, and examine the boundaries of science and technology.

Chris Burden had major retrospectives at the Newport Harbor Art Museum, Newport Beach, California (1988), and the MAK-Austrian Museum of Applied Arts, Vienna (1996). In 1999 Burden exhibited at the 48th Venice Biennale and the Tate Gallery in London. In the summer of 2008, What My Dad Gave Me, Burden’s 65-foot-tall skyscraper made of one million Erector set parts, stood in front of Rockefeller Center, New York City. And in 2013–14, the New Museum, New York, presented Extreme Measures, the artist’s first major U.S. exhibition in over 25 years. Burden’s installations and sculptures, which have been exhibited all over the world, have continually challenged viewers’ beliefs and attitudes about art and the contemporary world.

Environmental impact of Urban Light’s LED light bulb conversion
The switch from incandescent to LED bulbs in Urban Light will save approximately 3,173,047 kilowatt hours of electricity over the next 10 years, which is enough to power about 295 average American homes in a year. Additionally, the reduced energy demand will prevent the release of 5,206,074 pounds of carbon dioxide equivalent, which is equivalent to preventing greenhouse gas emissions from burning 2,583,627 pounds of coal. Conversely, this can also be imagined as the carbon captured by planting 61,199 trees and letting them grow for 10 years.

By replacing all 309 incandescent light bulbs in Urban Light to LED light bulbs, LACMA will realize significant energy and environmental benefits over the coming years. That is as many light bulbs as can be found in about 10 American households, which, on average, still contain a mix of installed incandescent light bulbs. Though cost savings will differ by region, energy reduction and subsequent environmental benefits can be achieved by households that switch to LED light bulbs.

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