Venice Biennale

The expo park used during the Venice Biennale, international film and culture festivals, 2015. License
Australia Rescinds Their 2026 Venice Biennale Representative Selection

Though the 2026 Venice Biennale is still…

Archie Moore, Australia Pavilion at Venice Biennale 2024, image by Andrea Rossetti.
An Ode To The Woven Arts At 2024 Venice Biennale Golden Lion Awards

The 60th iteration of the Venice Biennale kicked off this…

Installation view, Everything Precious is Fragile, 2024, Pavilion of Benin, 60th International Art Exhibition–La Biennale di Venezia. Moufouli Bello, détails "Egbe Modjisola", 2024
10 Must-See National Pavilions in the 2024 Venice Biennale

The 60th edition of the International Art Exhibition, titled “Foreigners Everywhere,” is a testament to how artists have always traveled and moved about under various circumstances…

The entrance to the Polish Pavilion at the Venice Biennale.
Artist Rejected from Venice Biennale Polish Pavilion Says He was Censored

Poland has announced that it has reversed its decision to showcase artist Ignacy Czwartos at the Polish pavilion in the 2024 …

Peggy Guggenheim in her gondola, Venice, 1968.
Peggy Guggenheim: The Last Dogaressa
“I have never been in a city that gave me the same sense of freedom as Venice,” Peggy Guggenheim wrote, “Venice is not only the city of freedom and fantasy but it is the city of pleasure and…
"Art and Race Matters: The Career of Robert Colescott," 2022. New Museum, New York. (L-R) See Colescott's We Await Thee, (1964), Nubian Queen (1966), and Dr. Ehrlich’s Magic Bullet (1968).
Colescott Retrospective “Art and Race Matters” is a Must-See
Fresh off its survey of Faith Ringgold, the New Museum presents a retrospective of another veteran African American painter whose aesthetic DNA courses through subsequent generations of black artists…
White material cast to show black female figure, dressed in clothes that seem to be from the 1800s, her hands are clasped together as if in prayer but held just to the side of her face to support her chin.
"Simone Leigh: Sovereignty" at the 59th Venice Biennale
Leigh Brings an Unprecedented Degree of Black Female Representation to the U.S. Pavilion & the Venice Biennale at Large
Niamh O’Malley, Gather. Foiled colored glass, steel. 435 x 430 x 400 mm.
La Biennale di Venezia 2022: Niamh O’Malley & Ireland’s Pavillion
Gather begins in Niamh O’Malley’s workspace in Temple Bar Gallery + Studios (TBG+S), Dublin, where stone, steel, wood, and glass are shaped, composed, and assembled.
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