Press Release  November 30, 2020

Revisiting America: The Prints of Currier & Ives

Collection of Joslyn Art Museum (Omaha, NE), Gift of Conagra Brands, 2016.20.397

Charles Parsons (American, b. England, 1821–1910), Lyman W. Atwater (American, 1835–1891), Central Park, Winter. The Skating Pond, 1862. Lithograph.

Omaha, NE – In 2016, ConAgra Foods, Inc. (now Conagra Brands) donated nearly 600 Currier & Ives lithographs to Joslyn Art Museum. Now home to one of the largest public collections of these popular and historically significant images, Joslyn has organized this exhibition that sheds new light on the artistic and commercial practices of the famous firm Currier & Ives.

Collection of Joslyn Art Museum (Omaha, NE), Gift of Conagra Brands, 2016.20.270

Abraham Lincoln: Sixteenth President of the United States, 1861. Lithograph.

Revisiting America: The Prints of Currier & Ives explores how the largest printmaking company in nineteenth-century America visualized the nation’s social, political, and industrial fabric. The exhibition is on view at Joslyn November 21, 2020, through April 11, 2021.

Known today for its lush, hand-colored lithographs that nostalgically depicted a republic of pioneer homesteads, sporting camps, and bucolic pastimes, these sentimental images comprised only one aspect of Currier & Ives’s production. The company’s inexpensive and popular prints were a ubiquitous presence for decades, and just as frequently touched on pressing social and political issues. Addressing economic development, western expansion, the Civil War, and controversies of racial and class politics, Currier & Ives portrayed scenes of urbanization, nation building, naval battles, catastrophic disasters, and current events that were far from idyllic.

Revisiting America is organized into themed sections—Sails, Steam, and Speed; Urban Experiences; Domestic Visions; Sporting Life; The Frontier; The Civil War and the American South; America in War and Peace; and Humor.

Collection of Joslyn Art Museum (Omaha, NE), Gift of Conagra Brands, 2016.20.406

James E. Butterworth (American, born England, 1817–1894), Clipper Ship "Flying Cloud," 1852. Lithograph.

The exhibition reveals the surprising modernity of the firm’s prints, offering a complex and conflicted vision of America that embraced the possibilities of an emerging urban and industrial society while nostalgically celebrating the social stability of a rural ideal.

Subscribe to our free e-letter!

Webform

Latest News

Vulci 3000 Investigates Ancient Roman Water Systems
We all need water. No matter where, no matter when, human life cannot survive…
8 Essential Neoclassical Works of Art
Focused on simplicity and symmetry—principles valued by classical artists,…
London-based Museum to Fully Repatriate Benin Bronzes
The Benin Bronzes of Nigeria, their provenance, and the possibility of…
Colescott Retrospective “Art and Race Matters” is a Must-See
Fresh off its survey of Faith Ringgold, the New Museum presents a retrospective…
What You Don't Know About the World’s Oldest Photograph
Not particularly impressive at first glance, Joseph Nicéphore Niépce's View…