Alaina Boukedes, a guest specialist in MoMA's Department of Visitor Engagement, talks about the “unpredictability” of her favorite piece in the MoMA, Philippe Parreno’s installation Echo.
Art News
Paulina Pobocha, associate curator in the Department of Painting and Sculpture at MoMA, talks about one of the “most significant works made during the second half of the 20th century”: October 18, 1977 (1988), Gerhard Richter’s contemporary take on history painting.
Aliza Nisenbaum is best known for her bright, large-scale portraits of people and community groups.
Paintings of turquoise swimming pools drenched in California sunlight may be the first images that come to mind at the mention of British artist David Hockney, but drawing is the continuous thread running through Hockney’s life.
Sanford Biggers mines African American history and traditions in a wide variety of ways—ranging from painting on and constructing collages with recycled quilts to making installation art, performance, video, and sculpture.
At the Museum of Arts and Design (MAD), Beth Lipman’s sumptuous feasts in glass glisten under the gallery lights.
How do you keep art and the people who care for it safe during a global pandemic? The spread of Covid-19 has not changed that level of care, which we give to the thousands of artworks and the millions of library and archive items in our collection. However, it has certainly created new challenges, whether that is the need for social distancing or restrictions on international travel. As the galleries move in and out of lockdown, our Collection Care teams have been working together to find new ways of looking after art in exceptional times.
The groundbreaking designs of Pierre Cardin have been giving us a look at the future for nearly seven decades.
Known for her bold-hued, pared-down geometric paintings, the 105-year-old Cuban-American artist has created her first series of large-scale, monumental sculptures.
For the first time in forty-five years, the Royal Collection is being rehung in a new location.
