Art News

Lucy Chiswell, the Dorset Curatorial Fellow, explores Van Huysum's 'Flowers in a Terracotta Vase' in ten minutes.
In late September 2021, Long Museum (West Bund) will present the largest solo exhibition by George Condo in Asia, The Picture Gallery.
  A MoMA conservator considers the missing pieces of Noah Purifoy’s assemblage "Unknown," and its relation to Pop art.
Now, at eighty-six, she is getting her due, with a heralded retrospective at the Brooklyn Museum called Both/And, which follows the comprehensive anthology of her writing, Writing in Space, 1973–2019, published by Duke University Press in 2019.
Featuring a dynamic combination of graffiti drawings, paintings, sculptures, collectible objects, furniture, and augmented reality projects, KAWS: WHAT PARTY presents a twenty-five-year survey of the popular artist’s most momentous artworks.
While nobody is surprised to hear that New York City is jam-packed with fascinating art museums, one might be excited to discover this fresh list of underrated art museums in the city. 
Experimental Relationship is the central focus of the first museum solo exhibition of Pixy’s works at Fotografiska in New York, Your Gaze Belongs to Me.
Alexander Calder reimagined sculpture as an experiment in space and motion, upending centuries-old notions that sculpture should be static, grounded, and dense by making artworks that often move freely and interact with their surroundings. “One of Calder’s objects is like the sea,” wrote the philosopher Jean-Paul Sartre, “always beginning over again, always new.” Bringing together early wire and wood figures, works on paper, jewelry, mobiles in motion, and monumental abstract sculptures, the exhibition takes a deep dive into the full breadth of Calder’s career and inventiveness.
At a time when we could all use more beauty in our lives, “the Water Lilies have our back.” An appropriately dressed Chet Gold, manager in MoMA's Security department, talks about his spiritual connection with Claude Monet’s monumental painting Water Lilies, which creates a space “too beautiful to support anything that’s not optimism."
Emma Capron, Associate Curator of Renaissance Paintings, discusses 'Christ Mocked' in 10 minutes.
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