An artistic partnership—where two painters share a life, a studio, and a creative dialogue—is a celebrated phenomenon. JON IMBER & JILL HOY: SIDE BY SIDE, on view at the Edward Hopper House Museum & Study Center in Nyack, NY to Feb. 15, 2027, elevates the intimate 23-year marriage of Jon Imber (1950-2014) and Jill Hoy (b.
Featuring 283 top galleries from 43 countries and territories, the 2025 edition of Art Basel Miami Beach returned to the Miami Beach Convention Center from December 3 to 7, welcoming over 80,000 visitors— including representatives from more than 240 museums and foundations— during its VIP and public days.
The Art Dealers Association of America’s (ADAA) decision to shutter The Art Show and launch a new fair in November 2026 marks a quiet end to one of the art world’s longest-running philanthropic partnerships. ADAA Fair will assume the original show’s home in New York’s Park Avenue Armory and channel proceeds to both the organization’s
With its origins in late Medieval art and religious culture, the word “Gothic” conjures the dark, the mysterious, or the otherworldly. A international exhibition, Gothic Modern: From Darkness to Light, not only broadly explores such popular associations but also provides a ground-breaking examination of later 19th- and early 20th-century artistic fascinations with the era, all while complicating traditional narratives of the history of Modernism.
As the hype fades following the record-breaking $54.7 million sale at Sotheby’s in November 2025 of Frida Kahlo’s 1940 self-portrait, El sueño (La cama), becoming the most expensive artwork by a female artist ever sold at auction, let’s pause and consider the facts.
Weaving the New World: Hispanic Textiles and Their Influence on the Northern Frontier opens December 6 as the winter exhibition at Couse-Sharp Historic Site. Installed in both the modern Dean Porter Gallery space and the 1830s Luna Chapel, Weaving the New World demonstrates the unique, rich, and colorful textile traditions that developed in New Mexico, Mexico, and elsewhere in what is now the American Southwest.
Echoing a pilot program launched in 1950, the Brooklyn Public Library (BPL) will now allow cardholders to borrow select pieces of art for up to three weeks, as of November 3rd.
Leonardo Drew is the embodiment of form and content. His expansive personality explodes with associations and ebullience; so does his art. “Superadditive,” he calls it. There really don’t seem to be any limits to his art, which is free-form yet meticulously crafted.
When I Don’t Sleep, I Dream, the major retrospective now on view at the Museum of Modern Art in New York, positions Wifredo Lam as a political, spiritual, and insurgent force—a world-builder who ultimately slips classification.
