Art News

The Art History Babes are joined by the curator of Diverse Art LA, Marisa Caichiolo and contemporary artist, Andrés Paredes to discuss the Diverse Art LA program, interactive immersive art experiences, and the challenges of creating a temporary art installation.
“Everything photographs so well!” is the first impression one could get after a first round of the 60 international exhibitors of the 19th edition of SCOPE New York, held at the Metropolitan Pavilion in Manhattan. The press preview allowed for close examinations of several booths, and one thing that can be said with utter confidence is that much of the art would translate well on social media.
Some of the best art schools in the country are in Los Angeles, the fruit of a long tradition of blue-chip practitioners like Catherine Opie, Robert Irwin and Millard Sheets teaching classes to the next generation. Among the largest exhibition spaces for contemporary art in the world, L.A. boasts a burgeoning downtown arts community, spreading to all corners of the city. The only thing missing is the art market. That’s about to change, if Victoria Siddall has anything to say about it. She’s the Director of Frieze Fairs—including Frieze London, Frieze New York, Frieze Masters, and now the inaugural Frieze Los Angeles, Feb. 15 through 17, on the backlot at Paramount Studios.
Opening next week in Los Angeles, Superfine! Art Fair is a new twist on the standard art fair. With the goal of making art collecting accessible to a new generation, transparency and reasonable prices are the name of the game. Unlike traditional art fairs, who live by the policy that if you ask to ask the price, you can’t afford it, all prices of the 2,000+ available works will be listed clearly, and 90% of the work on offer is priced below $5,000.
Katie Paige, FOG Steering Committee member and San Francisco Museum of Modern Art (SFMOMA) Trustee, has been involved with FOG since its beginning. Paige talks about her mutual passions for social reform and art, what drew her to become involved in FOG and what she’s most excited about at this year’s fair.
From Art Basel Miami’s 2018 showing, we’ve rounded up our favorite highlights, from new works fresh from the studio to up-and-coming artists.
Known for its assemblage of cutting-edge contemporary artists and galleries from around the globe, the landmark fair has an uncanny way of finding the art world’s next major talents. Regardless of their growth, this remains the show’s main driving force for SCOPE Miami’s founder and president, Alexis Hubshman, who has been a consistent advocate for emerging creative voices.
Just two dozen rings encapsulate the history of the world as seen in the exhibition, “The Fashioned Hand: Historic Finger Rings.” These twenty-four remarkable and remarkably preserved rings are from the collection amassed by Les Enluminures, a unique firm dedicated to documenting medieval and Renaissance manuscripts, miniatures, and finger rings. The rings, spanning two millennia, will be on display at Frieze Masters, Stand A4, Regent’s Park London from October 4-7, 2018.
This film takes you inside our new exhibition, Robin Hood Gardens: A Ruin In Reverse, at the 2018 Architecture Biennale in Venice – the third consecutive year of our collaboration with La Biennale.
The seventh annual Frieze New York Art Fair, which ran May 4-6, featured more than 190 galleries, curated awards and special sections, a robust talks schedule, and vibrant performance art. The fair, just one in Frieze’s multinational series that includes both a masters and contemporary edition in London and a new iteration in Los Angeles, was housed in a redesigned, labyrinthian temporary structure that stretched across New York City’s Randall’s Island Park.
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