This year, the National Gallery Singapore celebrates one of the most fascinating artists of the twentieth-century—Georgette Chen. The exhibition Georgette Chen: At Home in the World presents Chen’s most significant works together with newly found archival materials, such as letters, diaries, and photographs.
Art News
Woven into the fabric of Chappaqua, and located in the loft at Family Britches, the forty-five-year-old bespoke men’s and woman’s clothing store, The Art Closet Gallery is a pioneer in the community bringing together art, music, exhibition space, and studio classes.
Freeman’s will hold its Asian Arts auction on April 8, the sale will showcase a rare example of Chinese Porcelain, a carved twelve-panel “Coromandel” folding screen, and a hanging scroll attributed to the Empress Dowager Cixi.
Created by Early Flemish painters and brothers Hubert and Jan van Eyck, the 589-year-old piece has an incredible history. It’s survived fires, more than a dozen thefts, botched cleanings, a stint in Austrian salt mines, disassembly, sale, and iconoclasm.
The exhibition features more than fifty prints curated from Watson’s extensive photographic archive that showcase the artist’s distinctive style, expert use of light and shadow, and the breadth of his fifty-year career.
Two new digital tools have just gone live to bring the richness of the Louvre collections to the world’s fingertips—a platform that for the first time ever brings together all of the museum’s artworks in one place and a new and improved website that is more user-friendly, attractive and immersive.
The allegorical manifestation of "the four continents" is a visual staple of Western art from the colonial period and the eighteenth-century in particular. Used to uphold the idea of European superiority and justify colonialism itself, the iconography associated with each continent is deeply rooted in racism.
Bartolo—known better as Morgante—was the sharp and quick-witted “buffoon” of Cosimo I’s court (1537 to 1569). In 1555, Cosimo I granted Morgante a ducal privilege in which he is defined as “our most beloved servant.”
I'm essentially self-taught in all creative endeavors from music to photography. And now I'm learning how to run a gallery as they say via "the school of life."
Varied by culture, artistic movement, influence, and preferred medium, these Latin American artists might not have much in common, except for the fact that they deserve more recognition for their contributions to the art historical canon.
