Brazilian artist Beatriz Milhazes captures the complex nature of Brazilian culture in her captivating kaleidoscopic painting, ‘Maracorola’. In this video, learn how the artist took inspiration from her home town of Rio de Janeiro, and how she captured the beauty and vibrancy of the city on a large canvas.
October 2020 Art News
The Peabody Essex Museum takes a more personal look at the Salem Witch Trials this fall.
Damein Hirst's In and Out of Love (Butterfly Paintings and Ashtrays) will be shown in its entirety for the first time in many years, alongside works of historic, modern, and more contemporary art from the Yale Center for British Art's collections.
How did obelisks, monuments of the ancient Pharaohs, end up in modern metropolises?
In lieu of its Annual Gala in New York City, Storm King Art Center will host a series of online artist talks and panel discussions featuring Storm King artists, curators, and collaborators as the museum celebrates 60 years of art in nature.
Master artist Zao Wou-Ki was a Chinese-French painter who was one of the very first to make the link between eastern and western art. In this Sotheby’s video, hear how his painting ‘12.12.68’ is inspired by nature.
With social isolation now a way of life, it’s unsurprising that mid-century American realist painter Edward Hopper is having a moment.
The group includes drawings by Rembrandt van Rijn, Jacob Ruisdael, Gerrit van Honthorst, and many other artists of the “Golden Age” of Dutch art.
Stories of Abstraction: Contemporary Latin American Art in the Global Context at Phoenix Art Museum will present for the first time more than forty recently acquired works of contemporary Latin American art in conversation with those by thirty European and American artists, including four currently working in Phoenix.
Listen to and watch an in-depth visual description of Loveday and Ann: Two Women with a Basket of Flowers by artist Frances Hodgkins. Hear a detailed description of the painting and learn more about how the artist made the work. Loveday and Ann were two young women, daughters of fishermen from St Ives in Cornwall, where New Zealand-born Hodgkins was living in 1915. While in Cornwall, and also during stays in Paris, Hodgkins developed her distinctive representative style and characteristic use of colour. At her death in 1947 she was considered one of New Zealand’s – and Britain’s - leading modern artists.
