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Saints canonized by the Catholic Church come mostly from two major categories: those who lived with or were martyred for Jesus Christ, and those in the centuries since whom performed miracles. Regardless of one’s religious beliefs, many of these saints’ stories are rooted in faith more than fact.

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Presented in a solo exhibition, the focus of Rashid’s residency has been producing the latest installment of his massive fictional universe 18 years in the making: “an alternative, feudal version of America that has nobility and titles.” Within this world, Rashid whimsically imagines the cultural intricacies of Colonial Era class dynamics through cross-generational iconography, maps, cosmological diagrams, Afrofuturistic sensibilities, and pop culture references from his upbringing, such as the Golden Age of hip hop.