Museum  August 6, 2021  Colleen Smith

How Denver’s Museum of Contemporary Art Made the Most of COVID-19

Courtesy MCA Denver.

Exterior View of MCA Denver on July 13th, 2020.

Denver’s Museum of Contemporary Art (MCA Denver) will celebrate its silver anniversary in 2022. The museum’s lively response to the devastating COVID-19 pandemic of 2020 and 2021 demonstrates the saving grace of creativity in a crisis.

“We did more than pivot. We pirouetted many, many, many times,” says MCA Denver’s Mark G. Falcone Director Nora Burnett Abrams. “Human connection is what we value the most, and that was what was ripped away very suddenly,” she explains. “But the human spirit is remarkable. We’re compelled to be: It’s a coping mechanism.”

Courtesy MCA Denver.

MCA Denver’s Mark G. Falcone Director Nora Burnett Abrams.

To cope with the pandemic quarantine that shut down MCA Denver, the museum ramped up virtual programming. “I knew as soon as we closed that we’d have to be more active on social media. That was a no-brainer,” Abrams says.

MCA Denver immediately built out a structure to create a predictable pattern of engagement online. Meanwhile, #Museumfromhome became an increasingly popular hashtag.

The museum’s Director of Communications, Partnerships and Digital Initiatives Courtney Law adds, “Since the beginning of the pandemic, MCA Denver used this unique time to tap into our risk-taking roots and try new things: new program offerings, new platforms for hosting those programs, new creative opportunities for supporting artists and new ways of facilitating our teen leadership programs.”

After shuttering the museum mid-March, MCA Denver also quickly opened online options. “In April 2020, we began offering virtual programs and quickly began to iterate and improve the production and experience as we went along,” said Law. The museum banked on creativity coupled with humor.

“We found a way to have fun and to keep people connected,” Abrams says. For example, the museum launched Laugh Your Craft Off.

“We had a crafting exercise with a craft kit, so you in Denver and your sister in Chicago could both do the craft. We added a comedian, so people were making something together, laughing together, a creative endeavor infused with humor,” Abrams explains.

Yet MCA Denver also responded to the gravity of the times with Citizenship: A Practice of Society a group exhibition featuring thirty artists. Law states, “When‘Citizenship’ was on view in our galleries, we produced a related online program each week during the run of the show by highlighting a different exhibiting artist and covering topics from reimagining the future of monuments to bias in journalism.”

The online programming’s metrics show success. “Over the course of a year, we were thrilled to be able to welcome over 21,000 virtual attendees from across Colorado to as far away as Vietnam and India,” says Law.

Courtesy MCA Denver.

Screen Shot of Virtual Event on Artist Narkita Gold’s Black in Denver Project. Hosted by MCA Denver.

The virtual expansion broadens the horizons for MCA Denver. The museum’s future has been redefined and refined. “We’re able to advance our values to an even larger, wider audience,” says Abrams. “I’m so proud of what our team materialized in this year with no road map, no clear path, inventing and reinventing and adapting and readapting.”

Advancing MCA values and the museum’s aesthetic—summed up as “wonderfully weird”—in the wake of the horribly weird year of 2020 required some institutional soul-searching.

“As an organization, we’ve taken the opportunity to look inward and to see how we have had shortcomings, how we have not fully engaged with as many in as many communities as we want to, and we’ve grown as an organization,” Abrams explains.

“Institutionally, the artists themselves often broke with convention, and we value and celebrate the role they play. We adhered to our values that keep us consistent with creative practice,” Abrams adds. “It was a chance to think about how to live in the world beyond the four walls of our building, to live more expansively, decentralized as a site, connected, prioritizing partnerships and communities we were not directly engaging with yet.”

Lockdown required leveling up. Abrams says, “It was a real growth opportunity, but also about a different approach—less about ‘come to us,’ and more about ‘how can we come to you and engage with you? How can we continue to connect with and attract people?’ We ask what culture really is in a very contemporary way and use it as a way to live more as a community partner. Not everybody can or wants to come to us, but that doesn’t mean we don’t want to go to them,” she explains.

The non-collecting museum has plenty of plans in the works to celebrate its silver anniversary.

“What makes MCA so special is not a walk-through of our exhibitions, however thoughtful and wonderful and engaging they are. Our other moments, including virtual moments, are more lighthearted and are now more accessible. We will continue to do both and be both,” Abrams said. “To pioneer, to be original and gutsy and powerful is what MCA Denver is all about.”

About the Author

Colleen Smith

Colleen Smith is a longtime arts writer based in Denver.

Subscribe to our free e-letter!

Webform

Latest News

Good Art: ChaShaMa is an Art Charity Transforming Vacant Spaces
In a city of endless opportunities, one organization is doing its best to…
Nicola Tyson: Holding Pattern
Tyson presents nine new paintings alongside three groups of graphite drawings.…
Kahlo’s Final 'Bust' Self-portrait Estimated to Exceed $30 Million
This November, Sotheby’s will present Frida Kahlo’s 1949 self-portrait, Diego y…
The Affordable Art Fair Returns to NYC in Full Swing this Fall
The Affordable Art Fair will give visitors another opportunity to fall in love…
Reframed: William Hole’s “St. Margaret”
Saints canonized by the Catholic Church come mostly from two major categories:…