Museum  September 12, 2018

Siah Armajani Opens First US Retrospective

Walker Art Center

Siah Armajani, Sacco and Vanzetti Reading Room #3, 1988 (Museum für Moderne Kunst, Frankfurt am Main; photo: Axel Schneider)

The Walker Art Center and The Metropolitan Museum of Art present Siah Armajani: Follow This Line, the first comprehensive retrospective in the United States devoted to the work of Minneapolis-based artist Siah Armajani. Born in Tehran in 1939, Armajani moved to Minnesota in 1960 to attend Macalester College in St. Paul, where he immersed himself in the study of philosophy. He has lived and worked in the Twin Cities ever since, while exhibiting nationally and internationally.

Walker Art Center

Siah Armajani, Tree of Babel, 1970 (Collection MAMCO, Geneva; gift of the artist)

Armajani is best known today for his works of public art—bridges, gazebos, reading rooms, and other gathering spaces—sited across the United States and Europe. Near the Walker, the artist’s landmark 375-foot Irene Hixon Whitney Bridge (1988) connects Loring Park to the Minneapolis Sculpture Garden. The groundbreaking exhibition Follow This Line spans six decades of the artist’s studio practice and resituates his work first within the context of prerevolutionary Tehran and, later, postwar and present-day America. Balancing a keen sense of abstraction with social and political content, Armajani has produced an ambitious and nuanced body of work that engages a wide range of references—from Persian calligraphy to the manifesto, letter, and talisman; from poetry to mathematical equations and computer programming; from the Abstract Expressionist canvas to the vernacular architecture of rural America, Bauhaus design, and Russian Constructivism.

Featuring more than 100 works made over the past 60 years, the exhibition brings together models from his Dictionary for Building series (1974-1975), nearly 150 small-scale maquettes representing the architectural elements of a house that have been combined into different permutations, as well as Fallujah (2004-05), a monumental antiwar sculpture created in response to the US invasion and occupation of Iraq. The exhibition also includes collages and other works on paper the artist made in the late 1950s while in Tehran, and more recent sculptures and models from his Tombs series (1972-2016) and Seven Rooms of Hospitality series (2016-ongoing). Many of the pieces included, from private and public collections in Europe and elsewhere, have never before been exhibited in the United States; others will be shown in a public institution for the first time.

Walker Art Center

Siah Armajani, Written Iran, 2015–2016 (The Metropolitan Museum of Art, New York; purchase, Lila Acheson Wallace Gift, 2017)

The exhibition is accompanied by a major catalogue published by the Walker Art Center.

Siah Armajani: Follow This Line will be presented at the Walker Art Center September 9 through December 30, 2018, and at The Met Breuer February 20 through June 2, 2019.

Curated by Clare Davies, Assistant Curator, Modern and Contemporary Art, Middle East, North Africa, and Turkey (Metropolitan Museum of Art); with Victoria Sung, Assistant Curator, Visual Arts (Walker Art Center); assisted by Jadine Collingwood, Curatorial Fellow, Visual Arts (Walker Art Center).

Siah Armajani: Follow This Line is organized by the Walker Art Center, Minneapolis and the Metropolitan Museum of Art, New York.

ABOUT THE ARTIST
Siah Armajani (US, b. Iran 1939) is best known for his large-scale, politically resonant works that merge sculpture with architecture. He has created bridges, gazebos, and reading rooms for outdoor public spaces. Some of his projects include the design of the Olympic Torch for the 1996 Summer Olympics in Atlanta, Lighthouse and Bridge on Staten Island in New York, and Irene Hixon Whitney Bridge in Minneapolis at the Minneapolis Sculpture Garden.

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