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Cemetery (from "Oil is History" Collection)

Louise Marler

Cemetery (from "Oil is History" Collection)

Artist: Louise Marler
Medium: Photography
Price: $450.00
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Details

Creation Date: 2007
Materials: Archival Giclee Print Wood
Dimensions: 23" x 19" x 1"
Condition: Mint
Finish: Framed

About the Item

Louise Marler
Cemetery (from "Oil is History" Collection) (Classic Car, Graveyard, Vintage)
Archival Giclee Print
2007
Edition: 10
Image Size: 14.25 x 11.75 inches (36.19 x 29.84 cm)
Framed Size: 22.75 x 18.75 x 1 inches (57.78 x 47.62 x 2.54 cm)
Signed by hand
COA provided

*Framed in natural wood bark, double matte


This photographic series of junkyard cars is significant in several ways… artistically, environmentally, socially and historically. The Santa Barbara Independent, wrote, “Marler’s subtle tonal range of color prints gorgeously captures the essence… Images are beautifully seen and executed.” As a life-long lover of nature, Marler uses these photos as a reminder that our lifestyles and environmental choices are intertwined. Americans love affair with their cars started long ago. They are part of the American dream. In the past it was bigger is better. Now it is to be more compact and fuel efficient. Read more. Download the PDF.

“Willie Hoffman returned from the war and took a mechanic job with the Chevrolet dealership.” It was then he began bringing wrecked ones home, to his 1809 Federal I house. The post World War II gas-guzzlers of the confident post-war era encircle the architectural survivor of the Jeffersonian period.” – excerpt from the Ste. Genevieve Herald, July 3, 2002. The entire yard was cleared except for the house in 2006. With a contemporary perspective, this historically significant site has been documented by Marler’s pictures.

Any images can be Licensed for Use, for instance in Publishing or Advertising. Licensors of wall art, home accessories, furniture, fashion, textiles, stationery, greeting cards, gifts and novelties are encouraged to contact us.

Classic Car Graveyard, Abandoned Vintage Cars, Forest Car Cemetery, Rusty Car Relics, Forgotten Classics, Nature Reclaims Machines, Overgrown Auto Wrecks, Antique Car Ruins, Decay Meets Design, Woodland Junkyard Aesthetics

About the Artist

Louise Marler
Louise Anne Marler is an American artist who works across photography, graphic arts, experimental techniques, painting, and collage. Marler is known for work depicting analog and broadcast media including mid-century typewriters, cameras, radios, and televisions. In 2003, Marler began to use “LA Marler” as her artistic identity.

Marler's work engages visual traditions of text art, pop art, and language. She differentiates her work from other pop artists in her deliberate use of original photography rather than stock, public domain, or commercial images. Marler's work is a dialogue between analog and digital art, situated in her experience as a Gen X commercial graphic arts and lithographic printer, and later fine artist reflecting on the transition from analog to digital media production and storytelling. Marler has also received attention for her “KeyWords” series, that engages with typewriter aesthetics, SEO and digital marketing language, and spiritually-distilled statements.

Her work is featured in the films and TV shows including the documentary, The Typewriter in the 21st Century, the movies Friends with Benefits, Grand Daddy Day Care, Girls Code, and the TV shows, Two and a Half Men, Curb Your Enthusiasm, The Mentalist, Criminal Minds, Scandal, Here and Now, Jane the Virgin, Dear White People, Lucifer, Arrested Development, and others.