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Assemblage art, emerging in the early 20th century, is a form of sculpture comprising the integration of pre-existing objects or materials. Unlike traditional sculptural techniques that involve carving or molding, assemblage is about the inventive combination of diverse elements, often everyday or found objects, to create a new whole. This approach was partly inspired by Cubism and Dadaism, particularly in the works of artists like Pablo Picasso and Marcel Duchamp, who challenged traditional art forms by incorporating non-art materials.

The assemblage movement gained momentum in the 1950s and 1960s, with artists like Joseph Cornell and Robert Rauschenberg. Their work was characterized by a playful and experimental approach, reflecting a commentary on consumer culture, the found nature of the materials, and the blurring of the boundaries between art and everyday life.

In contemporary art, assemblage continues to be a popular technique, relevant for its ability to repurpose and redefine objects, giving them new meaning and context. It reflects current interests in sustainability, material culture, and the re-examination of the ordinary.

Art collectors might be drawn to assemblage art for its unique and innovative nature. Each piece is often one-of-a-kind, owing to the distinctiveness of the materials used. Assemblage art can challenge perceptions and provoke thought, making it a dynamic and intriguing addition to any collection. Moreover, it holds historical significance, representing a critical shift in the definition and scope of art. Collecting assemblage art also reflects a collector’s appreciation for creativity and ingenuity in using everyday materials, highlighting a taste for art that transcends traditional mediums and techniques.
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