An exhibition that defies patriarchal modes of looking, Multiply, Identify, Her is currently on view at the International Center of Photography. Curated by Marina Chao, who was inspired by late photographer and Chicana feminist Laura Aguilar, the exhibition assembles portrait, photo collage, and video among other digital media.
Considered a prime example of Monet’s skill and power, “La Gare Saint-Lazare, vue extérieure” sold for an impressive $32 million. Completed over a three month period of intense creativity in 1877, “La Gare” is one of a series of 12 paintings depicting the oldest railway station in France. Monet’s bold brush strokes capture the bustling energy of the Parisian train station and the vibrant power of the steam engine forging towards the platform. Of the 12 Gare paintings, 9 are in public institutions and 3 are in private hands.
Opening at Friedman Benda this week, the London-based artist Jonathan Trayte invites you into an alternate universe of bizarre but friendly furnishings. In his first US solo exhibition, Fruiting Habits, Trayte creates a world of his own, filled with idiosyncratic functional objects with multiple uses. With a background in fine arts as well as in food service and as a foundry worker, Trayte brings a sense of humor and a playful interest in texture to this collection. Objects range from tables and chairs to beds, lamps, and poofs, each with their own unique personality and charm.
Now at the Seattle Art Museum, Double Exposure juxtaposes the work of iconic early American photographer Edward S. Curtis with contemporary Indigenous artists Marianne Nicolson, Tracy Rector and Will Wilson. Double Exposure contrasts Curtis’s haunting photos of a world he believed would soon be lost with current artistic expressions of Indigenous culture that’s very much alive.
Paul Kasmin Gallery is opening a summer group show this week fit for the solstice. On June 21st, SEED debuts. As its title implies, themes of fertility, the body, sexuality, and the natural world abound. Curated by Yvonne Force, the 29 artists in the show work with variations of these themes in a range of media and styles.
One of the most valuable illustrated books ever produced, a first edition of John James Audubon’s “The Birds of America,” went up for auction at Christie’s in New York, June 14th, and sold for USD $9,650,000. This is nearly $2 million more than when this particular copy had sold to American collector Carl Knobloch in 2012 for $7.9 million.
Celebrating several recent acquisitions, Color Decoded: The Textiles of Richard Landis at the Cooper Hewitt Smithsonian Design Museum offers insight into the making of six impressively complex Richard Landis weavings. A master of color theory and double-cloth weaving, Landis’ works are amazing technical feats. Double-cloth weaving uses multiple sets of warps (vertically running thread) and wefts (horizontally running thread). This produces two connected layers of cloth and allows for the resulting fabric to have two right sides (and no backside, as most fabrics do).
A sampling of current trends is on view at the Hammer Museum’s latest biennial, Made in L.A. 2018. The fourth iteration of Made in L.A., this biennial is an opportunity for the institution to shed light on local, emerging talent and celebrate the unique voice and identity of Los Angeles. With many works commissioned specifically for the biennial, the 32 artists selected touch on a range of themes in many media.
On its final stop of a nation-wide tour, “Horse Nation of the Očhéthi Šakówiŋ” is currently on display at the Minneapolis Institute of Art (Mia).
Now at the Long-Sharp Gallery, Tarik Currimbhoy’s first solo exhibition, Sway, fascinates viewers with over a dozen kinetic sculptures, ranging from 9" in diameter to 3' tall. Crafted from stainless steel and bronze with mathematical precision, the sculptures draw on Currimbhoy’s experience as a designer and architect. Expertly fashioned, their sleek, geometric shapes balance or rock in response to gravity and compression. They look striking both at rest and in motion.