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On the occasion of the release of Audrey Flack's riveting memoir, With Darkness Came Stars, and her solo exhibition at Hollis Taggart, Art & Object sat down with the artist for a conversation.
Jamian Juliano-Villani's exhibition, 'It,' at Gagosian doesn't give easy answers, but gets us thinking.
Through the years, Betye Saar has used Los Angeles as her mystic’s salvage yard. The assemblage artist has taken everyday objects— remnants of tin panels, wicker baskets, shards of pottery, empty frames, repurposed photography—and paired them with recognizable figures of visual culture to create new narratives.
In the age of daily affirmations and online self-betterment, Nora Turato is breaking herself down. On view at Sprüth Magers in Los Angeles, it's not true!!!
Tom Burckhardt's exhibition Ulterior Motif, at George Adams Gallery, explores the terrain between figuration and abstraction.
Updating a landmark 2001 exhibition, art historian and curator Robert Storr brings together 40 artists for Eye Infection, a show that examines the blemishes in America’s self-image.
In celebration of the 20th anniversary of the partnership between artist Daniel Arsham and Emmanuel Perrotin, the gallery has staged shows across its spaces in New York and Paris of the artist’s work.
Hauser & Wirth's newest gallery in New York is solely dedicated to prints and editions along with its publishing arm, Hauser & Wirth Publishers, an eclectic bar, and a small amphitheater for panels and lectures.
In the exhibition Elligible/Illegible at PS122, curators Francisco Donoso and danilo machado explore the complex process of immigration for children applying for the Deferred Action for Childhood Arrivals program (DACA).
In Luc Tuymans’s 17th show at David Zwirner gallery in New York, an exhibition of new and recent large-scale paintings that draw on photography, the artist explores the intersection of memory and history, truth and fiction.